So that was my state of mind as I drove northward and before I knew it, I was getting off the exit in Boston and heading toward the waterfront. On Atlantic Ave just beyond the Boston Harbor Hotel, I spotted not one, but two parking spots (of course I only needed one) and quickly pulled in. One quarter gets you 12 minutes in the downtown area and the limit is two hours. That gave me just enough time to execute a plein air painting.
A car pulled into the other spot. An attractive business women with two smart looking (and large) bags began to search for her meter money. I was still getting my painting gear out when I saw the woman look around, worried, presumably looking for a place to get quarters. The harried expression on her face gave me a flashback to my old days working in the corporate world, running to meetings and not having time to think about things like feeding a meter.
Map of Boston Waterfront Where I Painted |
She wished me a good day painting and
we went our separate ways. I set up at the corner of Central and Old Atlantic at the trolley stop across from the Aquarium (see red box in map to the right).
Red Trolley Painting In-Progress |
In the city, settling on a scene and creating the composition is as much about how much to leave out as it is what to include, and it is easy to become distracted by all the visual stimuli.
I set the boundaries of the paintings using the structural elements via the drawing - in paint - of the major buildings. The Long Wharf Marriott is recognizable by its multi-tiered brick. The blue awning of the Legal Seafoods Restaurant was on the sidewalk on the left and the Chart House was on the far right. A bright red trolley was the center of interest (which was replaced with a green trolley at some point along the way.) The pedestrians that were all over posed the biggest challenge, and gave me the most flexibility, as to who to include and where they would be placed in the painting.
So I'm posing a compositional question. I used some black paper cutouts of some figures in various positions on my painting to decide on the placement of the figures. Let me know what you think. Once I add the figures, I'll post the final painting to my website.
Option A |
Option B |
Option C |
Option D |
Option E |
Option F |
Option G |
2 comments:
I like A or F
Thank you for your input. I also have gotten other feedback through other media, including a vote for Option B and a suggestion that the baby carriage and Mom are reversed heading out of the painting. Thanks all for your interest!
Post a Comment