Tuesday, December 11, 2018

Copper Woods

Fourth Cliff View

It was a chilly day in the first week of December.   Although it was cold, the sun was shining so I bundled up and headed out for a plein air paint-out.   I drove to Humarock, a barrier island separating the mighty Atlantic from the easterly reaches of "northern" Marshfield.  I decided on a scene where the North River meets the South River and empties into the ocean.  Here the currents produce amazing churn and whitecaps. 


Copper Woods - Initial Stage

My gear was just about set up when a very nice military official asked me if I had a Military ID.    Apparently I was on government property and this installation was not open to the public.   Shucks...I was all ready to go.   The churning water and whitecaps were not going to make it into a painting on this day.



I eventually returned to the edge of some woods not far from the house - in fact I was at the edge of my property.   The sun was shining through the trees and illuminating the bed of fallen oak leaves.  It looked like a copper carpet.     And what started out as a scene I thought was boring, revealed its pretty patches of sky, branches, dry grasses and woodland under growth.  No rocks, no people, no animals, no house, no barn, no whitecaps...just some trees - but pretty trees.  :)

Copper Woods

Tuesday, December 4, 2018

Sweetness of Summer

Sweetness of  Summer
What a fun and enjoyable project.   Painting children as I've said many times before can be challenging.  It's a fine line between the soft and sweet expression and achieving an adequate likeness.  Tots have neither wrinkles or angular features, like adults and painters use these as convenient facial landmarks.   Tots have faces with airbrushed angelic-like perfection.    So the painting process of them may involve painting, wiping out, and repeating - until the soft likeness is achieved.

A good reference photo can make a positive difference when creating a painted portrait, and this was a good one.   The challenges in this project, besides the likeness, were 1) transforming the greenish-yellow tones in the photo into a more summery color scheme, (making it lighter and brighter), and secondly, realigning the rectangular photo onto a square format while maintaining the balance of the landscape, parasol and figure.

Warm summer sunlight on young, healthy figures in back-lighting often have a bright red glow, especially in the ears, hands and feet.   I intentionally pumped up the warm flesh color to contrast with the nice summery blue - its complement. The toddler's shadow is stretched to the right bottom corner, balanced by the shoreline entering from the left, leading to the figure. The loop of the parasol handle is a good compositional element for leading the viewer's eye back up to the sweet smiling face.

This painting will hopefully turn a simple summer-day photo into a permanent family heirloom.

Tuesday, November 27, 2018

Pink and Yellow Roses

Pink and Yellow Roses Square
 I recently came across my notes from a demonstration put on by revered American master artist Richard Schmid.  It took place a few years ago, early in summer down in Falmouth, MA on Cape Cod.  Also in attendance was his young protege', Daniel Keys.   It was a thoroughly enjoyable day and I remember being mesmerized as I observed the techniques being deployed - the arrangement of the still life elements, the colors on the palette and even simple things, like how he mixed the grey for a white flower petal in shadow.

Florals are a particular specialty of his, always yielding a lovely result and I used some of his methods, including his palette style
to create this small floral.

Sunday, November 18, 2018

Festive Windowboxes

Little House and Snowy Greens


Every year as Christmas approaches, I work on at least one holiday painting. This year, one became four paintings as they were fun to create

The plan was to give the gallery a related grouping during the run up to Christmas.   Window boxes decorated for the holidays became the theme.   This idea came to me as I start thinking about how to decorate my own real window boxes.  The options are endless and I hope my real window box has as much color.


Red Ribbon Window Box
And speaking of color, the palette knife was useful for laying on the thick masses of cascading greens and flowers.  It was also good for creating rustic clapboards with a bit of scraping and multi-layering.

'Tis the Season!




Window Box Splash
Ornaments and Pink Ribbon






Tuesday, November 13, 2018

Sunflowers and Spindles

Sunflowers and Spindles


Midday sunlight pours into my front room from a south window, now that it's late fall.  The angle of the light is much lower and the rays were casting some very interesting shadows.   These warm red and yellow sunflowers were dazzling in the bright light. The wooden spindles of my staircase sat in the background with some petal shadows wrapping around them.   Some sunflowers were just starting to open, others open with curly, transluscent shapes.  It's alwaysa good day when you are painting flowers!

Thursday, November 1, 2018

Homestead Ruins & Pasture - Isle of Doagh Ireland


McColgan Farmhouse
In the late 1800’s, two brothers and their respective families lived and worked two side-by-side farms on the Isle of Doagh, County Donegal, Ireland.    One brother’s name was John McColgan and the other’s name was Edward McColgan. 
    
John and his wife Grace had fourteen children.  They lived in the “larger” farmhouse which was also the house where the two brothers had been born and raised.    Edward and his wife Bridget acquired the land next to this original homestead and had eight children of their own.    In late 1898, Edward contracted consumption, a contagious disease that reached epidemic levels in Ireland and Britain at that time.   Today, the disease is known as tuberculosis.  Sadly, his wife Bridget soon contracted the disease as well.   They died within a month of each other in the winter of 1899.  

Four of their daughters and one son, ages 10, 14, 16, 19 and 21 were orphaned.   Their two oldest daughters had emigrated to Boston years earlier, when they had turned eighteen.   Their son Michael Joseph (my grandfather) had also emigrated one year earlier.
  
There was discussion of the siblings staying in Ireland under the supervision of their aunt and uncle next door, but with fourteen children of their own, John and Grace were likely unable to support five more.  Hence in 1900, the five siblings travelled together to Boston and settled in with their older siblings. The younger daughters moved in with their older sisters, each of whom were married at that point.  One daughter enrolled in nursing school at Massachusetts General Hospital.

As for the property owned by Edward and Bridget, it was sold to a cousin who continued to farm the fields but let the house fall to ruin.   The original farmhouse still stands and is in good condition.   In fact, it was getting a new thatched roof during our visit.   If you Watch The Video, it is the neat little white farmhouse with the red doors.

Donegal Homestead
Maybe you can imagine the feeling I had as I stood on the cart path just above the two homesteads, one farmhouse still standing and the other, barely recognizable ruins.  I had a tingly feeling to think that this was the land of my ancestors, where they lived, worked and died.  The sheep and cattle were probably of the same lineage through the years. Why, even the wild raspberries I sampled were probably the same as those eaten by the family.     Spirits of the past!   This visit and paint-out may have been the most gratifying of all.   I’m hoping the deep rich crimson darks and vivid green lights of the land shine through.

Wednesday, October 24, 2018

Westport Cove View - Ireland

Westport Cove - Color Study Final
The waterfront at Westport was one of my favorite spots for scenery in Ireland and we visited three times.  I chose a scene with this rustic boathouse on an beautiful inlet.  I later learned that what Motif #1 is to Rockport, MA, this painting scene is to Westport Harbor.   I got down in the mucky low tide to capture the scene I wanted.   The boathouse was stunning, especially its red roof, but the decrepit turquoise boat in the foreground was my favorite element.  It's great when an element is so decayed that a rough stroke with a palette knife is just the thing that makes it come alive.



Tuesday, October 23, 2018

Croagh Patrick from Murrisk Island - Westport Ireland

Westport River Channel


Our next stop in Western Ireland was Westport.   Similar to previous days, it started out sunny, but the clouds eventually took over, producing rain, then the sun came out again.   The town itself was beautiful with the river channel passing through the middle. There were arched stone bridges that crossed the river in several places, and these were adorned with lush flower boxes and blooms hanging down nearly to the water.  I didn't actually paint in town, but these scenes were gorgeous and I hope to paint a scene or two from the photos as I build up the Ireland painting collection. 



Croagh Patrick from Murrisk Island
Climbing Croagh Patrick, about 5 miles from us was on the agenda, and I will state right up front, it didn't happen (for various reasons, one of which was the rainy forecast).   The peak is one of the larger mountains in Ireland and is most well known because pilgrims (some barefoot) climb to the summit Chapel as an act of penance.  Historical accounts describe this sacred place as the mountain where Saint Patrick fasted and prayed for forty days in the year 441 A.D..  The peak is clearly visible from most of the Westport area and since we didn't actually climb it, I figures it would be wholly appropriate to pay homage via this painting.

We set up to paint about a mile from the trailhead on a small connected island, home of the fishing village called Murrisk.   Careful observation of the mountain revealed figures of climbers - small specs - silhouetted on left side of the slope.   It was very windy on this day.   My husband wisely chose a spot behind a wall and benefited from his wind blocker.  I chose a higher vantage point and paid a price, my biggest obstacle being my inability to keep my brush steady.     What colors!  Every shade of green, but also, reds, purples, golds, yellows...and even better when the sun peaked out!

Click here to see my view while I painted.


Wednesday, October 17, 2018

Dingle Harbor View - Ireland

Dingle Valley Greens
We had planned a whole day of exploring the Dingle Peninsula.  We left sunny Killorgen early and as we made our way toward Dingle Bay and drove through the valley, I saw the greenest greens I have ever seen!  It was a classic vista of green pastures and easily one of the ten most beautiful spots I have ever seen in person.   Yes, it would have been great to paint there, but due to the narrow, busy road, it was not conducive to safety or quiet.  We settled for stopping and getting a nice long look; perhaps a future studio painting!

Dingle Harbor View - Painting and Scene
When we arrived in Dingle Harbor, we walked around a bit both for touring and for deciding on a place to paint.   There were lots of choices and the bustle of the town area with its colorful buildings was enticing. 





Dingle Harbor
We noticed a long walking path and green space from with the whole span of the colorful town was visible, and that was where we set up.    This scene was an ambitious undertaking and as it turned out, actually took nearly three hours instead of the usual two hours.

"Painterly" is a word that describes a painting style in which the paint is applied in a way that is not realistic, but gives the essence of a scene through the colors and brushstrokes.   This painting is an example of a more painterly approach.   An honest, untrained eye might call it messy! :))

Tuesday, October 16, 2018

Silver Birch - Molls Gap

Silver Birch - Molls Gap

More spectacular scenery on our next sojourn from Kenmare to Killorgen.  We passed through the mountains and a particularly beautiful mountain pass called Molls Gap.   It is so well known that dozens of tour busses stop here daily.  


We set up our easels well out of the way of the tourist paths, although several people were curious enough to trek to where we were and take a look.  I chose the birch since it framed the long view of the lakes and yet more gorgeous mountains in the distance.  Again the goal was to capture the colors live and in person.  The valley was copper colored but the photos depict it as beige....hence the value of plein air painting.


Tuesday, October 9, 2018

Healy Pass Panorama - Beara Penninsula Ireland

Painting at Healy Pass
Outward bound toward Beara Penninsula, we drove the road that parallels the coastline.   After painting in the rain (see Rainy Country Road), we arrived in Castletownbere where we enjoyed expertly made coffees, served with unbounded warmth and friendliness.   (Can we bottle that and bring it home, we thought?  Not the coffee, the cordiality:))    This nice stop in the Southwestern region of Ireland re-energized us in preparation for the return trip.  It was my driving day, a deliberate plan because of the hair-raising nature of this leg of the sojourn.  (It is less terrifying for the greater neurotic to be in control.. lol)  In fact, why don't I share a snippet of it here.

Healy Pass - Beara Penninsula
As you saw, once we were just beyond the highest elevation, we pulled over.   What a spectacular panorama!  I just had to do a quick sketch.   The colors of the mountains, slopes and valley were indescribable.   The color match was what I was after, and in the end I was glad I did.   The river bed was literally golden and copper colored in person, yet the photos depict that same area as a murky dark tan.  The small mountain on the right looked like a peachy color, similar to salmon, breaking the rule about the blue in receding mountains.   So pretty!  True color matching can't be achieved from a photo - my strong personal opinion!

Tuesday, October 2, 2018

Rainy Country Road - Beara Penninsula Ireland

Rainy Country Road - Beara Penninsula
The sky in Kenmare was bright and sunny when we began our scenic drive through the expansive Beara Penninsula in Southwestern Ireland.   We hoped to find a great spot to paint near Allihies, the region where my husband's ancestors originated.   Intermittent rain and drizzle had begun, but we remained hopeful that it was temporary.   The drizzle did let up when we pulled over near a scenic spot east of Allihies.    The long and winding road snaked its way down a valley and the Atlantic Ocean bordered the land to the east.  The moisture gave the scene a misty feel and it made the distant cliffs look pale gray.



WET Painting
 We started painting with vigor, and the thing about painting is, its hard to stop halfway, and before long, it was raining again.   We had raindrops dripping from our hoods, paintings, and palettes.  We kept painting; were we in a trance?    I felt like the two colors I most wanted to color-capture were the stones of the wall and the grasses just above it, so once that was done, I started to pack up.   I blotted my painting with a dry paper towel and wiped down my palette.  We left our paintings and palettes out to "dry" in the rear of the vehicle.   Its a good thing it is oil color!


Rainy Country Road - Beara Penninsula Ireland - Color Study Final

I can't share much about my painting process on this day.   I was on autopilot and on a mission to finish a painted sketch...here it is.    It will serve as a color study for a larger painting in the coming weeks.   This one was hard earned!

Wednesday, September 26, 2018

Hayfield Harvest at Dusk- Ireland

Hayfield Harvest at Dusk
It was late afternoon of the day we arrived in Kenmare, Ireland.  The plan was to paint the following day somewhere along our drive of the Beara Pennisula, so I decided to go to our vehicle and get ready.  As I was squeezing out fresh color onto the palette and organizing my gear I took a good look around.   I was surrounded by picturesque scenes in every direction.   There were lovely flower gardens, tall stone walls with an arched, embedded gate, and a water fountain.   These subjects were tempting but they were already mostly in shade and daylight was waning.  

A tractor had been noisily harvesting and baling the next property over, and with perfect timing, and maybe the luck of the Irish, he finished as the sun broke out.   It lit up the field, the green pastures and the mountains with almost magical golden light.  I broke out my easel and the result is this (very rapid) color study.  For me, speed means palette knife and very thick, bold paint application. 

It was a good thing this was toward the beginning of the trip given the amount of paint that was applied.   What a memorable experience and the color study will be useful in the future for a large studio painting.

Friday, September 14, 2018

Farmhouse Ruins - Donegal

Farmhouse Ruins - Donegal
These farmhouse ruins are adjacent to a new farmhouse on Fegart Road, Isle of Doagh, Donegal.   The September light illuminates the green grasses, and the colorful lichen on the crumbling stone walls.    The nothern-most tip of Ireland, Malin Head, is the mountain ridge in the distance.

Friday, September 7, 2018

White Geraniums and Pink Petunias

White Geraniums and Pink Petunias - In Progress
This year, my gardening has been limited because we moved to a new house in late May.   In a way, it has been nice because there is so little daily maintenance.  But I was in the mood to paint summer flowers, and all I had within easy reach were geraniums and petunias.     I taped a long piece of canvas off the roll onto a piece of hardboard.    I placed my flowers in a square vase.  I liked the longwise aspect of the surface since the white geranium blossom stood tall above the rest of the blooms.    I toned the canvas with a transparent wash, then wiped out the lightest colored petals as well as the angular lines of the cut crystal vase.  I was pleasantly surprised as the painting developed.


Geraniums and Petunias

At some point along the way, I decided to unfurl the bottom section of canvas, another 8 inches or so.  You can see a ripple in the canvas where it used to be folded.    One thing led to another...I continued painting down the canvas. Impulsively, I added a round table under the vase I used cool shades of white to paint a tablecloth and let the "folds" drip down the long stretch of cloth.  Even though the table isn't looking quite round yet, I like it and I may even make a rod pocket at the top and hang it tapestry style.  I can always stretch it later if it doesn't work.

Friday, August 31, 2018

Blue Crab Circle

Blue Crab Ring
This painting was an imaginary design.   I positioned my crabs in a circle, trying to inject some variety in both shapes and color.   Crabs typically sink down into the sand and the swirling water around them can create sandy ripples.   In this painting the mounds of sand emphasize this curved armature.   The canvas itself was an odd, almost square shape and I thought having a circular design was a suitable offset.

It's summer and I love having Cadmium Orange on my palette .... it is a good color for mixing summer light, and of course blue is its complementary color. 

Tuesday, August 28, 2018

Fishing Off the Beach at Sunrise

Fishing from the Beach at Sunrise
Walking at the shore, it's common to see the little fish jumping out of the water in groups; bigger fish just behind them I assume - bluefish or stripers maybe.    This fisherman must have spotted the same dark swirl in the water.   He demonstrated just how beach fishing is done...wading into the surf, casting as far as possible with his long ocean rod, then walking up to the tideline to place it in the rod holder.   Yes, a beautiful scene for a painting!

The undertone for this painting was a pretty mid-value blue, sure to be a good complement for the reddish/orange sunrise.   At one point, this blue undertone had me thinking that I might not even have to paint the beach houses that receded into the distance.   Once the primary wave was painted though, its darkness created a problem with the darkness of the houses by contrast, ie that original blue undertone was too light.  So I added hints of shadow and rooflines.   The obvious center of interest rightfully gets its attention, but the beautiful beach at dawn is a perfectly colorful backdrop, even with a crashing, three foot surf.

Monday, August 20, 2018

Hot Vacation Week at the Beach

Hot Vacation Week at the Beach
Beach houses that are situated on the east facing shorelines of New England are lucky for many reasons.   One of the best reasons is that they have a perfectly clear view of sunrise.   As a morning person, I've noticed that often people will rise early and get right out onto the beach, especially the big family groups like in this scene.  It may have been too hot to sleep.   Perhaps they haven't gone to bed yet - ha.

 I liked this composition where the shade tent offered a dark contrast and some silhouettes against the orangey dawn.   I added some atmosphere to the shoreline figures to convey the humidity...more? less?   I'm all ears.... :)

Tuesday, August 14, 2018

Passion for Purple (aka Cool Red Zinnias)

Cool Red Zinnias
On my easel now is a summer floral.  In the light background, there is an abstract pattern of leaf shapes which forms a layer of interest behind the contrasting dark crimson and purple zinnias.  

In front of the arrangement there is a mixture of cool (and colorful) light shining on long stems.   Zinnias are fun to paint because their rows of petals form a circular bullseye around the center.   I played with the light on the tips of the petals to show where the light was casting from above. 

I still may change the color of the vase - too dull.  What do you think?

Tuesday, August 7, 2018

Fenway Farms

Fenway Farms
Over the past few years, venerable Fenway Park in Boston has been improved, expanded and modernized in many ways - at least to the extent it can be.   Its tiny footprint in the middle of the city of Boston may be a drawback, but the special character and electric atmosphere at Fenway more than makes up for its old-fashioned aspects - for example, seat size!

One fascinating upgrade is the addition of a rooftop garden which supplies some of the produce for the wide variety of nice cuisine now available.    Here is a pre-game scene, an hour before sunset, depicting the long rows of mixed greens. What an unlikely location, all surrounded by brick and concrete.  Why the produce is as green
as the dazzling Fenway Park turf!

Tuesday, July 31, 2018

Relaxing Riverside

Relaxing Riverside
We carved out time during a trip to Western MA for plein air painting.  Lots of streams and rivers crisscross the Connecticut River Valley.   We stumbled upon this beautiful spot along Millers River in Erving, MA.   I shouldn't say that its discovery was completely by chance, because my husband speculated that there would be access spots below the several bridges that traverse the waterways.   Similar to how people hang out and relax at the ocean shoreline, a few people sat in the shade of the bridge buttress enjoying the water.   This sweet pooch was full of energy and would greet all who came down the path.   He also put on a show for us.  He would float with the river current, then scramble to the edge and bound back to his owner, who barely moved a muscle.

Tuesday, July 24, 2018

Leaning Pond Trees

Leaning Pond Trees
Another pond paint-out this week.   I was standing in the same spot as last week but turned about 30 degrees to the south.   These two trees lean toward the pond, and away from the small pond-side cabin - thankfully.   Some dead branches dip down toward the water and out toward the water and the sunshine.   I included the white lilies and lily pads this time.   The goal was to convey a sense of dappled sunshine that makes my time there so pleasant.  Perhaps it still needs more sunshine...
 
What do you think? 

Tuesday, July 17, 2018

Summer Pond Impression

Summer Pond Impression
My son lives on a gorgeous little pond in southeastern MA, made all the more pristine because motorized watercraft aren't allowed.   On this very hot day, I worked on this summer color study - just for the fun of it.   The vast patches of lilypads were covered with pretty white flowers.  I was tempted to paint them as any Monet lover would, but decided to paint a long view instead.  Just like all the color studies I've produced over the years, it turned out better than a "planned and finished" painting.  I like the choppiness of the color, giving it a painterly quality.

Much of the paint was applied with a palette knife with the color barely blended.   A closer view shows the ribbons of color in a single stroke.   The only hint of sky is in the reflections in the water just beyond the rocks.   Looking downward at the sky reflections made them appear darker and almost murky blue. 

Wednesday, July 11, 2018

Lonesome Cedar

Lonesome Cedar - Stage One
Cedar trees are a common sight on the South Shore of Massachusetts.   If you have ever been in a Cedar Grove, you know that their dense habit creates a natural noise cancelling effect; it is almost magical how they deaden the sounds.





Lonesome Cedar - Stage Two
There aren't too many Cedar Groves left,  but often there will be a lone cedar at the edge of a field, marsh or river.   They usually look very dark and bushy against any sunlit backdrop, as in this painting done along the North River, looking toward Marshfield, MA.

Lonesome Cedar - Final