Plymouth Harbor - Stage 1 |
It started out quite cool and breezy, and I had to rethink where I set up. I moved to a spot where there was a boulder and some shrubs that blocked the wind. In my viewfinder, there were multiple interesting planes looking east from the furthest shoreline (Duxbury), to mid-distance (Clark Island and Long Beach) and closer (Plymouth Jetty).
Plymouth Harbor - Stage 2 |
The sky was pale blue, a strong contrast with the deep blue of the harbor and outer bay. A realistic use of blue can really distinguish a painting. Blue out of the tube is seldom, if ever, a perfect match. I like to start with some cobalt and ultramarine blue for deep blue color water like today's scheme. I got a generous amount on my palette knife or brush, then held it up to compare against the water's color. I gradually added a transparent brown oxide to the blue combo until the color on my brush was a good match. I am always surprised at how grey the color becomes before it is close in color to the blue water in front of me. I started with a darker value than the actual value. That was because when I topped off the water's ripples with a scumble, I could use a lighter blue over it for better choppy texture and contrast.
Plymouth Harbor - Stage 3 |
So here is the effort so far. Before I put it on my website, I will let it sit for a few days. It may be a little too gray.
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