Underpainting |
I set up facing west so that the Powder Point Bridge would enter the painting from the left, and end just past the midpoint of the canvas. The furthest horizon on the left was South Duxbury with the Miles Standish Monument. On the other side of the bridge, St. George Street begins, and where there is a small white house with a pseudo lighthouse structure (painted with lavender). If you look closely, you can also see the small red boathouse (painted with alizarin/cobalt).
Stray Bristles |
As I applied paint for the foreground grasses with one of my larger brushes - what I had considered a good brush - I noticed a couple of bristles coming loose. Before I yanked them out, I used them to apply a few strands of dry grass along the shore. Fine grass strands this small are totally unnecessary and usually evoke criticism, but I felt like doing it, so I did.
Powder Point Bridge from Duxbury Beach - Stage 1 |
For the sky, I blended prussian blue with cobalt blue to match the fair weather skies. Although the sky above was a deep blue, the water was not the same intensity, probably influenced by the relatively shallow depths that cover mud and sand. To achieve the water color, I used the sky color but added a small amount of transparent oxide brown, which brought the intensity down a notch (more like a warm gray.)
Powder Point Bridge from Duxbury Beach - Stage 2 |
Here is the "not quite finished" version. Final version will be on my website within a couple of weeks.
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