The truth is when switching to something different, three things happen.
1) A Break from routine Different media have characteristics and techniques (constraints even) that are inherent in their use. Altering the usual routine and shaking up the thought process is important and I think makes me paint more deliberately. For example, I usually work darks to lights in oil, like most painters. In watercolor, I work light to dark and in doing so experience a period of retraining my brain to think that way.
2) Applicability Taking a turn with watercolor, pastel or charcoal can spawn new thoughts of their methods' applicability to oil. For example, can a thin wash of oil color be used to get an effect in a similar manner as would be used in watercolor? Should I measure a bit more specifically in a particular area of this oil painting as I would if I was rendering in charcoal?
Boston World Trade Center |
The verbose editorial above might lead you to believe a substantial work is appended for reinforcement, but no, only the two humble watercolors below, each a mere 4x6 inches. I painted these back in the summer while on vacation, since watercolor is my preferred medium for travel (it's clean and portable). I used photos from a prior visit and detailed pencil drawings preceeded the actual painting as you would assume.
Boston Harbor Wharf |
If you have never done Boston's Harborwalk, you may want to think about it for your next Boston painting adventure and why not try doing it in another medium?!
No comments:
Post a Comment