Self Portrait

Black and White Start

I enjoy painting humans and would paint them more if I had the resources and a model readily available.   I've painted people from photos, but just as with landscapes, the camera tends to distort color and lose subtle details, thus, a live model is best.   The most available live model I have is me, so I once again this winter, I painted myself.  :)




First Pass at Color

I spent considerable time experimenting with the setup for this self portrait.   I have always loved the chiaroscuro style in which light dramatically contrasts with the shadows/darks.   I attempted to achieve this strong contrast by setting up a spotlight and turning off all the other light sources.    I stood in front of the large mirror in my studio and trained the spotlight on my face so that one side of my face was illuminated and the other side only had partial light.   Two full spectrum lights illuminated my palette and the canvas.    During the painting process, I alternated between two kinds of lighting in order to get the true facial shadows, 1) just the spotlight and 2) all three lights: the palette, the canvas, and facial spotlight.



Lighting at Easel

I started with a charcoal likeness and spent a lot of time placing facial landmarks, measuring and re-measuring.  If this stage is wrong, it can only get worse from here.   Once I was satisfied with the drawing, I used a spray fixative to seal the charcoal.  After an initial underpainting, I began the layering process.



I used the glazing technique for the flesh tones building up many layers of transparent color.    My tendency is to make my people too red, thinking ruddy Irish complexions.    Careful color comparisons reveal that we often have more greenish, grayish undertones, especially on flesh planes that are perpendicular to the light source.

Vezina Self Portrait

And I thought I knew what I looked like!  After all, I see this face in the mirror everyday (well at least most days:)).  So why does it seem difficult to objectively assess if the likeness on my canvas hits the mark?    If you know what I look like, you will quickly realize that the painted image is the reverse, since I used one mirror, not two mirrors.  Perhaps years from now when - or should I say if? - this is hanging in one of my children's houses, they will know to wedge it in a hall corner next to a mirror!