Figure in the Sunlight - Studio Rework from Class Study |
Our Figure in the Landscape class has been as good as I had hoped it would be. We had a beautiful model who layered on her sunblock and dutifully sat in full sun so that we could observe and record the luminescence of her skin.
I tried to predict the trajectory of the sun so that some nice shade would overtake the spot I chose to paint from. Temperatures were rising quickly. Well I didn't calculate very well I and spent most of the class standing in the sun with a sunlit canvas as well. At least I could empathize with our poor model who was also melting, fully exposed to the sun too. Essentially I came out of the class with a study.
Negative Version of Painting |
When I got it home I saw several things that I wanted to improve.
I also thought that by studying the composition armature, I could improve the flow. The photos show the sequence of what I did.
Negative, Upsidedown Armature |
Negative, Upsidedown Armature with Spiral Balancing Lines |
Back to positive image with balancing spirals |
3) Changed the black and white back to positive state. I liked how it looked from an abstract (weighting) perspective. No matter which way I turned the canvas, it looked equally weighted.
4) Next the challenge was to figure out how to incorporate these line elements into my representational composition. I did it with the landscape (branches and grasses).
Here is the finished product. The Naples Yellow grasses were my attempt at balancing the composition and creating pseudo spirals that echo the primary armature.
Cornsilk |
No comments:
Post a Comment