Fishing from the Beach

Fishing from the Beach

Today's painting was done at the base of the Powder Point Bridge in Duxbury, MA.   I arrived at this spot ahead of the summer beach crowd and actually painted right out of the back of my parked vehicle which overlooks a little beach on Duxbury Bay.   Before long, the summer bustle picked up with lots of pedestrians and cars crossing this remarkable bridge.  Multiple people were fishing about halfway across the bridge, where there is a stronger current and a boat underpass.   Power para-gliders put on a show as well!

As the tide got higher, one fisherwoman in boots and waders came over to the beach just below my painting location and began casting.  I decided to make her figure and the bridge the two primary focal points of the painting.

First Cliff from Scituate Light

Scituate Lighthouse is wonderfully accessible with free public parking, always a valuable feature for plein air painters.   I've painted the lighthouse on multiple occasions in the past so on this day I framed a different scene.  This composition is south facing across the Scituate Harbor inlet toward what is called the "First Cliff".   There are jetties on either side of the inlet which are depicted.  The "cliff" on the far shore is encircled by some amazing oceanfront properties.  There was so much going on in this scene between all the people and various boats that I found it hard not to include at least a few of these elements in the painting.  What I liked most about the day was the fair weather clouds. :)

 

First Cliff from Scituate Light

 

Peachy at the Beachy

Peachy at the Beachy

It was a delightfully warm summer day - not too humid with a midday tide.   After my winter beach painting experience in Florida, I wanted to practice some of the color-work that I had learned.  Specifically, warm peachy colored sand looks magical when contrasted with deep cornflower blue shadows.  

The scene was facing south and included the shoreline houses of Marshfield's Fieldston area and a wide expanse of Rexhame Beach.   I wanted to include the lifeguard stand and and myriad of beach parasols that dotted the shoreline.   I worked from the top and soon discovered that I had a lot of canvas at the bottom with little interest.   This was composition issue that I wanted to correct, not by including more beachgoers or the rocks, but by way of bolder brushstrokes that would offer shapes and shadows typical of a dunes beach.  Perhaps even more bold strokes are needed!?  What do you think?

Garden Tour Along South River

Garden of an Expert

One of my favorite paint outs of the year is the annual Cliff Rogers Garden Tour.   On the third Tuesday of each June, I get to paint at one of the many stellar Marshfield home gardens that are literally 5-10 minutes away from me.   

This year I painted at a very special garden just a few yards from the South River.  The home is situated just across the water from Humarock.   The master gardener who lives here was as welcoming and gracious as could be, and not just to me, but to all those who walked through.   I heard her answer dozens of gardening questions, from very basic to impressively advanced.  She took the time and energy to explain, and her love of gardening came shining through.   

As I set up, I looked for shade and fortunately there was a good source of continuous shade  spot under some thick, old thick cedars.  I began painting in all the dark areas, holding of on the vivid blossoms. Most people who came through on the earlier side were probably wondering how in the world this canvas was going to turn into a colorful lush garden scene.    If only we could somehow capture  moist air, floral fragrances and constant movement of bees, butterflies and birds.  I decided to include the garden's creator in the painting as she was just as integral and constant part of the garden as the anchoring shrubs.  I feel like this painting does not do justice to this lovely gardener's botanical work of art.   My thanks to her for hosting all of us.

Special Olympic Park

Special Olympic Park - First Cliff

 After crossing the bridge on Edward Foster Road, there is a small triangular traffic island as you enter the First Cliff area.    There is a sign that names this lovely spot, Special Olympic Park.   It's part of the "Adopt a Lot" program where citizens or organizations take responsibility for a public land parcel.   I had trouble uncovering who is tending to this particular spot, but the person(s) is doing a fantastic job.   I set up under the big old apple tree which has two benches and beds of flowers under it.  One purple iris bed was in spectacular full bloom.  In the course of the two hours I was painting, two groups of people came along and sat for a few minutes, no doubt enjoying the view of Scituate inner harbor, and the cool comfort of an old shade tree adorned with surrounding flower beds.   I was doing the same!

Memorable Day - St Pete Beach

 

Beach in High Key

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Sunset Over the Gulf

 

 

 

 

 

 

 

 

On our winter getaway to Florida this year, we routinely took a long but leisurely bike ride each morning .  On this particular day we decided to walk the beach instead and what happened next made me so happy we did!

Along the shore there was a large group of plein air painters.  We stopped to observe and started chatting with one of the students.  She pointed out the teacher's painting, and I instantly commented to my husband that it looked just like Roos Schuring’s work.  Roos (pronounced Rose) is a painter from the Netherlands who I have followed for years.  In my dreams I thought maybe someday we would travel to the Netherlands and participate in one of her plein air workshops.  (Additionally I envisioned us visiting the homeland of Dutch masters like Rembrandt and Vermeer whom I admire so much.) 

Yellow Beach Umbrella Morning

Well here we were in Florida, and there was Roos in the flesh!   I was so excited that I had to approach and introduce myself.  Fast forward..we hit it off immediately and she generously invited me to paint alongside the class.  

I was mesmerized by her setup, process, colors and results.   It was truly a God-given gift to stumble upon the group and observe Roos and her students.   Although I was not an official class participant, I was welcomed by all and got to connect with my favorite "celebrity artist" who I now consider my friend.  It was an experience I'll never forget!

 

 

 

 

Favorite Hangout Area

 On St Pete Beach, there is a fun and funky place right on the beach that draws a big sunset crowd each evening.   It's an informal fish fry type place called Paradise Grill where you order at the walk up window then sit to dine at picnic tables or on the many colorful Adirondack chairs that are at the edge of the beach.   Both of the paintings in this post were done at this spot.   The first was an afternoon capture of the pretty tropical water as a backdrop for the two rescue surfboards that lean on a tall rack.   Fortunately they never moved as far as I could tell during the trip.    The orange life jacket popped out against the turquiose water which caught my eye immediately.   The board was actually a black underpainting and maybe that is why the colors look extra bright.    

Rescue Boards

 

 

 

 

 

 

 

 

The small but colorful sunset painting has a high key chroma for me and I'm going to say it took less than an hour.   My husband and expert consultant came over and implored me to stop right there and leave it as loose and colorful as it was.    I actually listened this time.  hahaha.   I do like the wild strokes and it has a nice tropical feel.   Hope you like it too!

Fans of the Sunset

 

Catskill Mountains Paint Outs

I've always been fascinated with the Hudson River School Painters and although their painting style was only "in vogue" for a generation and a half, the epic works of Fredrick Church and Thomas Cole still hang in the country's finest museums, many of which are works of epic proportions.   These two painters along with a group of painters known as "The Ten," made pivotal contributions to the American painting movement. 

This fall, we drove to the Hudson Valley, traveling through the picturesque hills, ravines and riversides that inspired Thomas Cole and Fredrick Church.  The Cole Homestead was modest but beautifully situated on a hillside where his veranda had sweeping views of the Catskill Mountains - inspiring scenes he had painted.  

We toured the home, the grounds and his studio.  Here we got to see the four 1840 studies he executed in preparation for the renown paintings at the National Gallery in Washington, DC that comprise the "Voyage of Life" series.

Thomas Cole Voyage of Life Studies in Cole Studio

 

 

 

 

 

 

 

  

There is something special about standing in the same physical spot as a historical figure who lived, worked and touched the very work you are looking at!  

Thomas Cole's protege, Fredrick Church built his homestead nearby.   Not modest!  It was a hilltop mansion across the Hudson from Cole that was enormous by comparison. Church was a wealthy world traveler and collector.   The emphasis of his estate tour was more his status and lifestyle, but there were many beautiful paintings to see as well.   We painted from the location of Church's studio, a west facing vantage with views of his property leading down to the Hudson River.   

These two painters made their mark on the entire area.  When we hiked at the Kaaterskill Falls some of the trail markers had images of their paintings.   One Cole painting spot in particular was at the very lofty (scary!) overlook where we stood.  Great trip and of course, when we get to paint - even better!

  

Catskills View

Fredrick Church Studio View

Tybee Island Getaway

Last winter we visited Tybee Island, a barrier island between the Atlantic and Savannah, GA.    We drove from New England to this winter adventure. Traveling by car means we bring the "stuff" that would not make the cut if flying was involved.   For us, that meant our full complement of painting gear came along too.

I've procrastinated in posting these five paintings so I've decided to just share all the images in this one post, sparing you the details.     Potentially I would be making things up about the paint outs - since I can't remember a lot of details now that it is months later.

The exception is the painting with the angry looking clouds which was done from a photo I took.  We had taken a beach walk and we received alerts on our phones that there was a tornado watch (warning? see, I forget...the worser of the two).   It was so dark and stormy looking, and being from New England, we didn't know if it was something to be alarmed about.  I took a photo of the swirling clouds and dark water as we raced back to our VRBO - quite a vivid memory!   I felt it was worthy of a painting as the photo shot captured the beach, the sky and the water in various "unnatural" shades of green and gray.

 

Tybee Dawn from Deck

Tybee Pavilion Pier

Tybee Tornado Watch

Tybee Boathouse Tidal River

 

Tybee Lighthouse

 

 

 

Wollaston Yacht Club Plein Air

The Quincy Art Association organized and hosted this paint out and yours truly was the instructor/demo painter.   We arrived plenty early to get set up and it was a good thing.   We quickly realized (like boaters before a storm) that we needed more ropes (aka bungies).    The wind was gusting to 25-30 mph and it was the first lesson that was discussed regarding successful plein air painting.  The large tent next to me where the painting participants were working actually flipped over.  Equipment must be weighted down to the point were it will not budge!   In every photo, I'm gripping my easel out of habit, even though I was securely tied down.  The bright sun and warm temperatures (low 90s) were also challenging but the participants stuck with it and all came away with a work of art they should be proud of!

This is my painting from the demo, a depiction of the Wollaston Yacht Club and dock with Quincy Bay and some Boston Harbor Islands in the distance. 

Wollaston Yacht Club and Dock

 

 

Beach Painter

Maureen Painting at Wollaston Beach

It's June and that means people want to be outside.   People were out in droves along the boardwalk at Wollaston Beach and were able to observe the first in a plein air series put on by The Quincy Art Association in collaboration with "Better Beaches", "Save the Harbor, Save the Bay", and Massachusetts DCR.   

This was my painting done while also watching a demo by Vincent Crotty.   The conditions were a little tough because of the gusty winds.   My gear was sufficiently weighted down to combat the wind which helped enormously.

Here is my painting of Vincent in action as he appears to pause, and contemplate his next stroke.  

Beach Painter

Cranberry Bogs Along Fuller St in Middleboro

Early Autumn Bog

 

 

 

 

 

 

 

 

 

 

 

The gorgeous autumn tree colors, and the calendar say October, but the daytime temperatures would have you thinking May or September - warm and dry.   This is perfect weather for plein air painting.   The cranberry bogs are particularly pretty just before the flooding and harvest.  They get a distinctly crimson chroma, contrasting beautifully with the green bog fringe.   Of course the surrounding trees are often wildly colored and even clashy with the cranberry red color scheme.   But that's where a painter can even out the disharmony with a touch of cranberry color throughout.  See if you can spot where crimson brushwork softens the greens!

Golden Light at the Bog

Garden Tour Paint Out

Side Garden Dogwood

 

 

 

 

 

 

 

 

It was that time of year again.   June means garden tours in some places.  Painters are often invited to set up in the gardens for an added cultural dimension.   I love participating in them.

 

 

 

 

 

 

 

 

Yes, this is a redwood tree.  I was lucky enough to score a painting location on a spectacular pond with shade from a WWII era redwood tree.   The gardens at this home on the Cliff Rodgers Library Garden Tour were just beautiful, and truly, the star of the show was this unique tree.  They are rare in Southeastern Massachusetts.  In fact, the property owner shared that she believed there were only two others in the area, one in Braintree, MA and one at the Arnold Arboretum in Jamaica Plain, MA.    

Funny thing is, I did not paint it.  How could a 11x14 canvas convey its size and majesty.   I am including a picture with human figures so you get an idea of the mass.  As for what I did paint, it was a peaceful garden vignette from the side of the home.   The Koosa Dogwood was in bloom and had the maximum contrast against the shadow side of trees along the road beyond.

As always, the experience was so pleasant with dozens of garden tour participants, and unsurprisingly, a fair number who painted as well. 

Winter in St Augustine

Windy Day in the Dunes

It's mid-August, and I find myself just posting paintings from February!   We spent some time in beautiful St. Augustine, FL and did several plein air paintings.    The ocean is a must for us and this destination had the ocean and much more... history, architecture, gorgeous beaches and of course a seemingly unlimited number of food options. It beat shoveling!   

To the east was the ocean; to the west, the Matanzas River.  We pretty much canvassed the whole area.  And always we returned to the beach for extensive walks and of course some paint outs.

The paths to the shore consisted of a very wide swathe of dunes.   So pretty!

St Augustine Beach Dunes

Pink Dunes

Matanzas Inlet

At the southernmost tip of St Augustine Island was the Matanzas Inlet.   This uprooted tree replanted itself on the river bank creating lots of shadows set off by the blinding light. 

 

 

 

Bridge of Lions

We frequented the historic downtown area often, touring, shopping and eating.  Of course, as the nation's oldest city, founded in 1565, there were forts, piers, shrines, quaint alleys and bridges all worth visiting.

St Augustine - plein air painter approved! 😊

Corner of Bridge and Avenida Menendez

Oliver Mill

Oliver Mill

Along Route 44 in Middleboro, MA there is fascinating place where the Nemasket River passes under an old stone bridge and divides into several prongs that comprise the outskirts of the old Oliver Mill.   Today, the various levels in the streams create an elaborate and effective herring run from Narragansett Bay through the Taunton River and back to the Nemasket River.   The spot where I painted on this day was from within the mill structure - surrounded by three of the walls of the mill but open to the sky above.

 

 

The stone wall remnants of the old structure offered a gorgeous contrast with the end-of-summer greens and yellows. In fact, things were already shifting toward yellow and red.

The thing about plein air is that during the course of standing in a spot for two to three hours,  you are bound to see something unusual.  In this case it was a blue heron that decided to sit up on a railing overlooking the streams squirting out below.   A dog walker came along and of course there was intense curiosity by this young dog.  A better and more memorable title may be "Black Dog Spies Heron."

Nemasket Herring Run

Nemasket Herring Run

 

 

 

 

 

 

 

 

 

 

 

 

Here at the Oliver Mill in Middleboro, MA,  the old stone walls brought back memories of painting in Ireland.   Of course there were plenty of differences not the least of which was the stunning New England foliage.   

These stone walls comprise the original footprint of the old Oliver Mill adjacent to the Nemasket River.   The painting vantage point is west facing and I'm actually standing within the mill walls - no roof though.  The focal point of the painting is beyond the mill where the river widens out.  Presumably the calmer, downstream waters offer better fishing opportunities for this snowy egret.

Bog Pumphouses

Bog Pumphouses

 

 

 

 

 

 

A friend and I painted at this huge cranberry bog in Middleboro, MA.   The winding road with three visible pump houses attracted my attention right away.   I hoped to capture the perspective of just how big these bogs were by virtue of the diminishing size of the three structures.

The day started out a little cloudy and dismal, but gradually, it brightened.   Light changes can dramatically affect your painting.   "Chasing the light," is a common mistake, meaning, you paint your initial scheme of light as it appears (in this case cloudy - very pretty).   Then things may change.   The lighting scheme brightens and we observe the new light and paint that (in this case it became full sun).

The funny thing is, if you are really engrossed in the process, light changes may not be immediately apparent.   It's sometimes only when you start sweating that you realize it got warm and sunny :).  I did chase the light a bit, but since I worked the far horizon first, which is cooler and bluer - even on a sunny day, painting a sunny foreground an hour later worked fine.  I did have to go back and add the shadowy section on the road to be consistent.

I thought about adding the first visitor to our area of the bog - a coyote!   It was walking through the bog straight toward us but then, about 40 feet away, took a right turn away!  Yikes!   Plein air can be very exciting!

Beach Grasses and Sloping Seawall

Beach Grasses and Sloping Seawall

 

 

 

 

 

 

 

Galveston's seawall is an important part of the island.   After the hurricane of 1909 it was built in the hope of preventing the level of devastation that occurred.   They say that every structure in Galveston sustained damage and hundreds of people died.    The location of this painting was on the beach with the main seawall behind me.   The large stone structure on the right is part of a seawall ramp down to the sand.   It acted as a great wind blocker too!  The painting also depicts one of the many jetties that jut out into the Gulf.  It was a winter day to remember.

Two Boston Skylines from the South Shore

Along several locations on the South Shore, there are over-water vistas of the Boston skyline.  These two scenes were both done plein air - one from Quincy and one from Hingham.   

The Logan Airport approach corridor (presumably depending on the winds) crosses overland just to the west of the Atlantic shoreline, thus the jet and hints of colorful gas tank from Quincy.

Pink Boston Skyline

 

The second skyline is from a vantage a bit further south at Crow Point in Hingham.  This is a gorgeous spot in which many waterfront homes, are graced with their own docks.  

Boston Skyline from Crow Point

 

The paint mixing and application for the sky and water were done thickly via palette knife.   The buildings and hard-scape elements were done with brush - thick nonetheless.   These are the summer colors of New England; we seldom see turquoise!

Brown Pelican

Brown Pelican

 

 

 

 

 

 

At Seawolf Park in Galveston, TX, there is an enormous boardwalk with WWII vessels, and several fishing piers that overlook the busy channel complete with oil tankers, auto ferries and cruise ships.    We chose this spot for the views and all the channel action.    I had plenty of visitors while I painted, military personnel, tourists, and fishermen.  The friendliest observer of all though was this (not shy) brown pelican.  He literally landed on this railing from a glide roughly two feet above my head.   If he wasn't in this painting, I'd be leaving out the most memorable part of the experience.