Catskill Mountains Paint Outs

I've always been fascinated with the Hudson River School Painters and although their painting style was only "in vogue" for a generation and a half, the epic works of Fredrick Church and Thomas Cole still hang in the country's finest museums, many of which are works of epic proportions.   These two painters along with a group of painters known as "The Ten," made pivotal contributions to the American painting movement. 

This fall, we drove to the Hudson Valley, traveling through the picturesque hills, ravines and riversides that inspired Thomas Cole and Fredrick Church.  The Cole Homestead was modest but beautifully situated on a hillside where his veranda had sweeping views of the Catskill Mountains - inspiring scenes he had painted.  

We toured the home, the grounds and his studio.  Here we got to see the four 1840 studies he executed in preparation for the renown paintings at the National Gallery in Washington, DC that comprise the "Voyage of Life" series.

Thomas Cole Voyage of Life Studies in Cole Studio

 

 

 

 

 

 

 

  

There is something special about standing in the same physical spot as a historical figure who lived, worked and touched the very work you are looking at!  

Thomas Cole's protege, Fredrick Church built his homestead nearby.   Not modest!  It was a hilltop mansion across the Hudson from Cole that was enormous by comparison. Church was a wealthy world traveler and collector.   The emphasis of his estate tour was more his status and lifestyle, but there were many beautiful paintings to see as well.   We painted from the location of Church's studio, a west facing vantage with views of his property leading down to the Hudson River.   

These two painters made their mark on the entire area.  When we hiked at the Kaaterskill Falls some of the trail markers had images of their paintings.   One Cole painting spot in particular was at the very lofty (scary!) overlook where we stood.  Great trip and of course, when we get to paint - even better!

  

Catskills View

Fredrick Church Studio View

Oliver Mill

Oliver Mill

Along Route 44 in Middleboro, MA there is fascinating place where the Nemasket River passes under an old stone bridge and divides into several prongs that comprise the outskirts of the old Oliver Mill.   Today, the various levels in the streams create an elaborate and effective herring run from Narragansett Bay through the Taunton River and back to the Nemasket River.   The spot where I painted on this day was from within the mill structure - surrounded by three of the walls of the mill but open to the sky above.

 

 

The stone wall remnants of the old structure offered a gorgeous contrast with the end-of-summer greens and yellows. In fact, things were already shifting toward yellow and red.

The thing about plein air is that during the course of standing in a spot for two to three hours,  you are bound to see something unusual.  In this case it was a blue heron that decided to sit up on a railing overlooking the streams squirting out below.   A dog walker came along and of course there was intense curiosity by this young dog.  A better and more memorable title may be "Black Dog Spies Heron."

Bog Pumphouses

Bog Pumphouses

 

 

 

 

 

 

A friend and I painted at this huge cranberry bog in Middleboro, MA.   The winding road with three visible pump houses attracted my attention right away.   I hoped to capture the perspective of just how big these bogs were by virtue of the diminishing size of the three structures.

The day started out a little cloudy and dismal, but gradually, it brightened.   Light changes can dramatically affect your painting.   "Chasing the light," is a common mistake, meaning, you paint your initial scheme of light as it appears (in this case cloudy - very pretty).   Then things may change.   The lighting scheme brightens and we observe the new light and paint that (in this case it became full sun).

The funny thing is, if you are really engrossed in the process, light changes may not be immediately apparent.   It's sometimes only when you start sweating that you realize it got warm and sunny :).  I did chase the light a bit, but since I worked the far horizon first, which is cooler and bluer - even on a sunny day, painting a sunny foreground an hour later worked fine.  I did have to go back and add the shadowy section on the road to be consistent.

I thought about adding the first visitor to our area of the bog - a coyote!   It was walking through the bog straight toward us but then, about 40 feet away, took a right turn away!  Yikes!   Plein air can be very exciting!

Frontage

 I recently painted the frontage view of my house.   It served as a warm up for the Garden Tour paint out that was taking place the following week.   I was most interested with mixing up the best greens for late June and I figured the nearby garden where I would paint was be similar.    The color of the greens was where the similarity stopped!   It was a glorious expansive garden.

This is a kidney shaped bed that has an old (not visible) tree stump in the middle of it.   We created this planting bed after the tree fell in a storm.   We opted to be lazy and just build up the soil around it and plant some shrubs.   My lamppost and planter frame the entrance to the driveway and it will always be that way.  :)

Frontage

Brushy Texas Tidal Stream

At the East Beach salt march, things were surprisingly "non-green".  It had a tan/pink look to it.   I guess I was not expecting that a place like Galveston, known for its warm weather would have "winter" where growth turns brown and gusty winds blow.   

The days still were relatively mild for us New Englanders.   We set up for painting along the access road to East Beach where the shipping lanes for Houston parallel the shore.   I faced a tidal inlet with the large, public bathhouse in the far distance.  To the left,  there was a constant flow of large colorful oil tankers.   We also spotted plenty of natural elements like egrets and shore birds, presumably wintering from our areas in the north.

Brushy Texas Tidal Stream

Two Boston Skylines from the South Shore

Along several locations on the South Shore, there are over-water vistas of the Boston skyline.  These two scenes were both done plein air - one from Quincy and one from Hingham.   

The Logan Airport approach corridor (presumably depending on the winds) crosses overland just to the west of the Atlantic shoreline, thus the jet and hints of colorful gas tank from Quincy.

Pink Boston Skyline

 

The second skyline is from a vantage a bit further south at Crow Point in Hingham.  This is a gorgeous spot in which many waterfront homes, are graced with their own docks.  

Boston Skyline from Crow Point

 

The paint mixing and application for the sky and water were done thickly via palette knife.   The buildings and hard-scape elements were done with brush - thick nonetheless.   These are the summer colors of New England; we seldom see turquoise!

Full Moon Dog Walk

Full Moon Dog Walk

 

 

 

 

 

 

 

 

 

 

 

Living at the shore, anytime, day or night, people would stroll to the seawall and enjoy all the beach has to offer.   The full moon always seemed to draw people outside even more and I have no shortage of spectacular pictures of the moon rising out of the water.   This full moon scene isn't quite as dramatic as those over-the-horizon full moons, but it was bright enough to cast fascinating blue shadows.   The dog walker took advantage of the moonlight for his pooch's last trip out of the day - and no flashlight needed.

 

Brown Pelican

Brown Pelican

 

 

 

 

 

 

At Seawolf Park in Galveston, TX, there is an enormous boardwalk with WWII vessels, and several fishing piers that overlook the busy channel complete with oil tankers, auto ferries and cruise ships.    We chose this spot for the views and all the channel action.    I had plenty of visitors while I painted, military personnel, tourists, and fishermen.  The friendliest observer of all though was this (not shy) brown pelican.  He literally landed on this railing from a glide roughly two feet above my head.   If he wasn't in this painting, I'd be leaving out the most memorable part of the experience.

Rows of Harbor Slips

Rows of Harbor Slips - In Progress

There is a perfectly located municipal building along the water in Scituate, MA.  Apparently the building is not in use, so I was happy to enjoy the spot for painting,  along with others who had also discovered a view that could only enhance their morning coffee.

 

The wide aspect of this canvas (8x16 inches) was nicely suited for depicting a sweeping vista that included rows of boat slips, the distant Second Cliff, a long dock with boathouse and even the privacy fence of the next property to the south.

Rows of Harbor Slips

 

Best Walk - Shore Walk

Best Walk - Shore Walk

 

 

 

 

 

 

 

 

 

 

 

My sister has a keen eye for composition and she often sends me her photo gems that she thinks could make a good painting.   Now anyone who paints knows that you are not supposed to use another person's photos because they technically own the copyrights.    So this little arrangement works out pretty well for me.   This painting was done from a iphone photo she took while scouring Quincy for me as I prepared for the Quincy Arts Festival.    Compositionally it has strong lines and you know I like to paint water.  

The painting did win a special ribbon which was awarded in honor of the late Kelly Cobble (known for her legendary support of all things creative and historical in Quincy, MA).  I was honored to hear that - she went out of her way to make us feel welcome at the Quincy Art Association.

Just Some Trees

Winter Trees from Deck

 

 

A warm day in February is much appreciated.   The snow that was still covering most surfaces had melted off the sunny back deck.   I grabbed my gear and conveniently stepped outside - easy version of plein air - no pack up!  

I decided to practice my tree structures with this loose and easy snowscape painting.   The oaks don't always drop all their leaves and they remain on the branches in orangy clusters.   In this case they offer a nice compliment for the blue snow shadows.

Late Light Bog in Winter

Late Light Bog in Winter

 

 

This bog is just down the road from me so I pass it all the time.    I've painted it before and I think I had become blind to how pretty it can be.   In winter, the cranberry plants become dark alizarin in color, which is part of the crimson/purple color family.   Dramatic long shadows were cast on the bog from the western trees.   Last week's snow was still piled up in a few low-light places.   All of this created an interesting scene, and the fact that it was a balmy 55 degrees made it perfect.    Since I was losing the light to early sunset, I painted quickly and somewhat wildly and was happy that I ended up with a very usable color study.

Two Megs - 2

I like all things "fish."  I'm a Pisces; I truly am "that" in a lot of ways. Ha ha. I eat fish often - usually 3-4 times a week.  I love to swim.   I crave being at the ocean, yet I am enthralled with all water related scenes.   

A favorite painting subject is fishing and fishing boats.  Does it stem from my being a Pisces or is it my ancestral Newfoundland fishing family roots?  Maybe both together?

Anyhow, I painted this exact scene a couple of years ago en plein air, and it sold right away so I decided to enjoy it again, this time from the photo.  The historic and enormous Boston Fish pier is the backdrop and the fishing boat called "Two Megs" in the foreground is picking up the sunshine.

Two Megs II

Frozen Feeder Spring

Frozen Feeder Stream

It occurred to me that one of the main reasons I like to paint sunny snow scenes is that it fulfills my desire to span the entire value spectrum (where value = lightness to darkness).  Whereas a foggy scene would have no super darks or super lights because everything is muted, a bright sunny day in the sun is another story,     Like in last week's Wilton Winter Mill, the darkest darks in the water occur because of winter's low sun angle, yet the snow can be brilliantly light because it is translucent.  

Of course the other reason I like to paint snow is that - usually - that is our reality for at least three months of the year.  Why not embrace it?!

Today's painting is a similar color palette, and has that same wide value range from darkest to lightest.   This painting is my favorite so far this season and was done on an aluminum panel.   On the painting's surface, the metal shows through and where it does, it looks a bit shimmery.  I also scraped off paint with the tip of my palette knife revealing aluminum to represent dry grasses.   

This is a New Hampshire scene along the edge of a pond where a little brook traveled under a footbridge.   Over to my left, there were people ice fishing and even a few vehicles sitting on the ice. Yikes, but this end looked melty and so picturesque!

Wilton Winter Mill

Winter Mill

This 7.5x7.5 inch painting captures a mid-February scene from last year's trip to New Hampshire.   The Souhegan River winds its way around the mill and on downstream.  It's mostly frozen but the water that is showing is a dark, rich, full chroma blue.  The icy edges are a muted chromium green.  I like that chatter of the underbrush on the bottom left balances the warm brick of this massive old mill.Although it looks frigid, I remember enjoying the "mild" temps while taking photos of the scene and the waterfalls (not shown).  

Pegotty

Pegotty

 

Scituate Harbor is sheltered in part by a rising land mass known as "Second Cliff."  From the one-way loop road there is an overlook to Pegotty Beach, the place from which I painted this scene.  It's most interesting landmark was the remarkable beachhouse on tall pilings.  It reminded me more of the sea stilt structures commonly seen on the Outerbanks of North Carolina.  I believe there were many more structures along this shoreline which have been claimed by the Atlantic Ocean over the years - during our notorious Nor'easters.    This beachhouse is still hanging tough!

Scituate Light Vertical

 

 

This painting depicts early morning with unsettled skies at beautiful and historic Scituate Light.   This portrait style 12x6 inch canvas worked out well for this subject.   As I painted a nice couple came over and asked various questions about this painting and painting in general.   I forget exactly what statement informed me that they were a "new" couple.   He asked me how much I would take for the painting.  (The painting was not nearly done and not yet in a state I would want to own up to.)   

Now, if you sell paintings you know that an offer like this is a gift on a silver platter.   Seldom does a painting sale happen that way.   In retrospect, maybe he wanted to impress his new friend with an unusual on-the-spot gift.  What did I say?  "Let's exchange cards and I will email you."      Well you know the ending to that story!  hahaha...I probably could use a lesson in sales.

 Now on display at Framers' Edge in Braintree, MA. 

 

Boston Fishing Fleet

We have occasionally enjoyed taking the commuter ferry out of Hingham, MA, disembarking in Boston for a day of touring (and eating).     The views and photos taken from the water offer perspectives that just can't be matched, especially those of the city skyline.    This isn't the first painting, and will not be the last of the paintings I've done from these ferry trip photos.

As we passed by the Boston Fish Pier, this row of large commercial fishing boats caught my eye.   They were so colorful, as was the row of international flags mounted atop the Boston World Trade Center.  I liked that the rustic weather beaten boats and dock become transformed into something beautiful just by being painted.

Boston Fishing Fleet

Tall Ships In - Boston Seaport

Tall Ships In - Boston Seaport

 

 

 

 

 

 

 

 

It's exciting for seaports around the world when tall ship events and races draw many the many vessels to their harbors.  For people with strong ties to the ocean, it is mesmerizing to see these spectacular marvels carve their way through the water.     Just as amazing is watching crew climbing the rigging to stow sails, a truly coordinated effort.

This painting depicts a three masted full-rigged ship moored at the harbor end of the Boston Fish Pier. The colorful flags of the Boston World Trade Center are visible, which is the next northerly pier, and of course the familiar Boston skyline in the far distance.  

Capri Meets Boston

The "Stay-At-Home" challenge was presented to artist members of the Copley Society in Boston recently.   During the long storied history of the Copley Society of Art, there have been dozens of famous artists who were connected to or displayed at this historic Society.   We were challenged to choose a painting by one of the historic artists of the past and pay tribute to their work with a new creation.

John Singer Sargent was born to American parents in Europe, where he trained, travelled and worked.  Though very active in Europe, he frequented the Boston area in the late 1800s.   Many of Sargent's murals are found in the Boston Public Library, the Museum of Fine Arts, and Harvard's Widener Library. Sargent's largest scale works are the mural decorations that grace the Boston Public Library depicting the history of religion and the gods of polytheism. He worked on the cycle for almost thirty years but never completed the final mural. Sargent drew on his extensive travels and museum visits to create a dense art collection.  The murals were restored in 2003–2004.

Rooftop

Perhaps I should have paid homage to a Boston-based work, but his paintings from Italy are my favorites.  They have a flair all their own.   I particularly like this painting by Sargent because of the fun mood and carefree summer feel.