Bzzzz

I took a beekeeping class a few years ago and came away just astonished by the amazing societal world of bees.  Since then I can't help but watch them closely and study which garden flowers attract the most activity.  This past growing season, ornamental allium and coneflowers seemed to be their favorite pollen sources.    With the winter temperatures plummeting, I decided a floral painting would just the topic that would give me a break from the winter, black, brown, gray and white palette outside.  My color temperatures mimic a midday cool skyblue light and warm shadow undertones.

Bzzzz

Garden Tour - North River

Each year I am invited to paint at a property on the Garden Tour organized by the Cliff Rogers Library.   It is their biggest fundraiser and it draws an impressive number of people.   Who wouldn't want to stroll through the very prettiest gardens in the local area and support this lovely small independent library as well.    I look forward to tour day each year and getting to capture the beauty of these gardens. 

I was assigned an expansive garden in North Marshfield that abuts the North River.   The mature plantings were perfectly balanced with many of the specimens in full bloom.   I chose a border planting that had a black wrought iron fence and gate as a backdrop.   I included this lovely woman as she admired a very unusual clementis that had purple bell shaped flowers.  As for the painting, the thick paint application that I like works particularly well for lush and vibrant garden scenes like this one.

Garden Border Bells

Soule Farm Community Gardens

The True Grit Art Gallery Annual Plein Air Event is officially in progress!   For the event painters capture Middleboro scenes during the month of October for their November show. 

Meadow at Soule Farm

A painting friend suggested Soule Farm in Middleboro, MA.  This town treasure was the perfect setting for autumn plein air and there were several scenes that attracted us here.  From the grassy meadows, the antique farmhouse, various barns and farm storage, to sheep fields, community gardens, and of course their two very friendly resident goats, each vantage had a beauty all its own.

For my first painting, this Irish girl couldn't resist the sheep in the meadow.   They were quite a distance away, but that probably helped my composition by widening my view (and options).  At one point the "shepherd" with his border collie moved the herd to an adjacent field which was a bit closer.  It was fascinating to watch!  In this fast paced world; stopping and witnessing that simple farm scene felt like a modern day pause, a transport back in time.  It was a gift really.

My second painting depicts a portion of the community garden amid a wide patchwork of individual garden squares.  A rustic corral was build around the space, an obviously a labor of love.  It was labelled "Green Acres."  Although most of the flowers were a bit spent, I took liberty with my colors and pumped up the blossoms.  This painting was loose and so much wilder than the pasture.  In fact there is so much paint on there that it will probably be wet for the show!

And speaking of the show, these paintings and many more will be on display in November 2024. Thanks to theTrue Grit Art Gallery for coordinating such a fun event!

Roses Oval

While I was working on garden paintings this spring, I was inspired to tackle "the oval" yet again.  I have pulled this canvas out and worked it at least 4 or 5 times and then put it away again.   I've never been quite happy with this oval floral.

The pink roses version shown was the first try.   Ironically, this was probably the best one.  The roses sit nicely within the curved shape - but I didn't recognize that back then.  The subsequent versions (which I didn't take pictures of) gradually filled up the space and the roses got bigger.  This white roses version is finally the rendering I have settled on.   I do like the addition of the bees and the warm translucent shadows of the white rose petals.

And to prove that I'm done, I'm showing it framed. :)

White Roses Oval

Pink Rose Oval - Painted Over

Garden Tour Splendor

 

 

 

 

 

Words cannot describe the beauty of the gorgeous garden where I painted recently.   It was part of a garden tour and deservedly so.   The garden lovers, myself included could not get over the many stunning scenes at this riverside oasis.   Peonies were the star as it was the third week of June and there were hundreds of blooms decorating every square foot of garden space.  I stood along a small pathway that led to the backdoor of this cedar shingle antique (circa 1740).  The underbrush mulch was dark and warm, yet the walkway was also bright and warm - sort of breaking the color temperature rules of painting.  I wanted the garden to dominate, but the house was so enticing that I gave it a bit of attention too.

Garden Tour Splendor

Flowering Woodland Shrub

Daphne

                                                                                                                                                                                               We were deep into autumn and the temperatures were dropping.   I (suddenly?) realized that I hadn't been outside painting enough.   Soon it would be so cold that I would think twice about venturing out ...brrrr.   This was a good incentive for painting out now!  
This painting depicts a beautiful woodland shrub that is not as well known as our common azaleas and rhododendrons.   I loved the variegated leaves and the cruciferous blossoms of this shrub called Daphne.   Its cool bright/warm dark scheme results in a lively depiction of a day of full blue skies.

Floral at the Fair

Oil Paint

 

 

 

These paintings were done at the 2021 Marshfield Fair.   At noon, twelve floral designers set out to create a ribbon winning design.  At 2PM twelve painters were assigned an arrangement to capture in paint.

 

 

It was a fun experience and so interesting to see how different painters approached their floral creation.   The floral designers seemed to basically have the same flowers, so to me, the color schemes of each were so very similar.   But as you see,the painters' works were vastly different!

Acrylic

Watercolor

Summer Lilies Fading Glory

Water Lilies Fading Glory

 

 

 

 

 

 

 

 

Do the topics of waterlilies and oil paintings bring impressionist painter Monet to mind for you?    I personally love those paintings and as many times as I've seen one of the many renditions of waterlilies by Monet I marvel.  Up close they seem like chaotic dots of color, but step back and the real thing emerges.  Did you know there are at least 250 known waterlily paintings by Monet?    Amazing!  

There is great freedom and fun in painting water and water lilies.   Monet's paintings have exactly what mine lack- a casual looseness and variety.  I wouldn't be able to paint the same subject dozens, never mind hundreds of times.   I wonder if Monet's free flowing brushwork comes from  his being so familiar with the subject that his psyche practically paints it without conscious thought?

These are not south-of-France waterlilies, but rather New England pond lilies done in a "zoomed in" stilllife style.  As the end of summer approaches, the pads start to change color with more read and gold, similar to our foliage.

Soft Iris on Shiny Aluminum

White Iris

Iris's are so short lived in summer.   I took several photos of the few white irises that appeared in my garden recently.   It struck me that a hard, shiny aluminum surface could be an interesting contrast for a painting of the delicate translucent petals.  Also, depending on what the background is reflecting - dark or light - the painting has a whole different look.

Daffodils

Daffodils

Swiftly moving through the supermarket, I spotted this bright, beautiful, yellow bouquet of classic daffodils.    Non-essential item, but yet kind of essential, at least psychologically!   They brightened the kitchen table and provided a great still life subject.    Here you are! 

Cheer up; great spring days are coming!

Anemone

White Anemone - Final

This series of paintings were done while building up to a commission for a client  This client had bought my paintings before and he noted that had a special friend who had a big birthday coming up - a centenarian.   He wanted to have a painting created of the birthday person's favorite flower, the anemone.   Most who are familiar with this flower are familiar with the variety that has the dark center, but there is a white variety that is bright green in the middle, almost chartreuse.   Happy Birthday!

White Anemone - Preview Sketch

White Anemone - Interim

Pink Freesia with White Roses

Although tiny, this little crystal vase is my new favorite.   It is perfectly shaped and looks lovely with miniature blooms from the garden.   I placed it on a small pedestal in a sunny, studio window and prepared to paint.    Shadows from the window grids were cast onto the set up and I was trying to decide if they added or subtracted from the composition.

Pink Freesia with White Roses

"Is there a term for the window grid things?" I asked my husband.   Without hesitation, he blurted "mullion bars."  He said it with an intonation that implied this was common knowledge.    He spotted my doubt immediately and he proceeded to look up the phrase.  Now to me, "mullion bars" is some vague, unknown term.  But expert carpenter/renovator that he is, he further added more terms that also mean window grids, "muntin bar, stiles, grids."     Haha, whatever they are called, they were casting shadows on my still life and the question remained was this good or bad?

I began painting.  The backlit still life had two white rose buds and a small freesia stem.   There was an interesting vase shadow, and within that, a bright refraction from the crystal.    The verdict of those other shadows came easily once I saw how much was going on in this small painting - no extra shadows from the mullion, muntin,stiles, grids or whatever you call them! :)

Two Little Florals

Pink Peony

The two small paintings described here are only 4 inches square, but with this much bright pink, they hold their own. 


The peony season in this area is no more than three weeks long, so as soon as I see signs they ready to burst, I start thinking peony painting.    The approach was to lay in the warm and dark inner portion of the bloom in a single mass, then with a wide brush, apply petal by petal in single strokes.  Two chubby buds sit behind the big blossom.   The background is light and fuzzy, making the flowers look dark and vivid.

Pink Blossoms in Mason Jars

The second painting is a colorful floral of two clear mason jars with pink blooms.   The bright pink and its complement, bright turquoise, vibrate against each other in this loose and juicy square.  I love this one, mostly because it is not tight or precise, my usual tendency - see peony painting...haha.

Roses and Baby's Breath

Pink Roses and Baby's Breath

Could the generous person who visited and brought these fresh pink tea roses have known that I love pink roses?  My bathroom even has a pink roses theme.  What a nice gesture and the perfect subject for a new still life.

These roses were whitish at the base and edged with pretty salmony-pink.   Looking straight down into the throat of the blossom, no white was visible at all, just dark reddish pink.   The baby's breath accented the blooms and the whole bouquet sat in a cute little mason jar.

I could paint a hundred roses and I don't think I would be happy with them on the first go.   I usually have to go back at it and adjust, putting any spontaneity and freshness at risk.   With this small painting, the blooms may be too precise, but the leaves, stems and background are more loose.  Thank you for the pink roses!  Wait, do they look too
red?

Purple Mums in Metal Box

Purple Mums in Metal Box

This sweet gift given to me by one of my recent painting visitors made me smile.  I wanted to grab brushes and paint immediately.   As soon as I could, I did.  The next day I painted this 6x6 square.    There were other gifts, just as appreciated, but edible - and they didn't last long enough to make in into a still life painting.   Haha.

This purple mum plant sat in a gray, metal trimmed box, accented with Spanish moss.  Similar to painting rope in paint-night class, I under-painted the area dark, then came back with light colored paint for the stringy twirls of moss.   The moss's gray color matched the silver accented box and the cool purple. 

I never tire of painting flowers especially when they are a gift.  The blossoms fade, but paintings make  permanent remembrances of the kind gesture, so thank you again!

Lilacs

Lilacs

I was pulling out my Easter/Spring decor when I found a lilac-scented candle.  After lighting it, the house was filled with its scent which was remarkably strong and authentic. It then struck me that we now have some lilac bushes at this new house/studio.     I am longing to see my very own lilacs for the first time this May - for enjoyment and of course, painting.

In preparation for the real thing, I practiced from a photo in painting this 6x6 inch mini.  I used a color mixing scheme that I learned about online in which a premixed pile of cool, light gray is used to blend with each color applied in the painting.   All colors had a bit of the gray, except for the brightest light, which I wanted to be bright and clean and warm.   I'm thinking the use of this gray harmonized the blues and purples to a softer, less intense palette.  What do you think?   Too muted?

Flower Vendor - Dublin

Flower Vendor - Dublin

In the heart of Dublin, Ireland, an expansive grid of narrow streets was crowded with people. Sightseers often stopped in their tracks to take it all in.  People with a purpose and a destination weaved in and around them.  We were part of the former group, browsing through block after block of vendors, cafes and pubs.   On this street, traffic was limited to business related deliveries so it was fun to wander around and take in the colorful sights and sounds. 



In this scene a young woman selling flower bouquets remained watchful as a couple of women scope out the floral sprays.   I thought from the minute I saw it that this would make an interesting painting scene.  By design, each element of the painting is prioritized by how realistic it is painted.  The center of interest is the proprietor, and is the most realistically painted.   Next were the black buckets on the brick roadway, then the flower bouquets, and lastly the two figures on the left.

Pink and Yellow Roses

Pink and Yellow Roses Square

 I recently came across my notes from a demonstration put on by revered American master artist Richard Schmid.  It took place a few years ago, early in summer down in Falmouth, MA on Cape Cod.  Also in attendance was his young protege', Daniel Keys.   It was a thoroughly enjoyable day and I remember being mesmerized as I observed the techniques being deployed - the arrangement of the still life elements, the colors on the palette and even simple things, like how he mixed the grey for a white flower petal in shadow.

Florals are a particular specialty of his, always yielding a lovely result and I used some of his methods, including his palette style
to create this small floral.

Festive Windowboxes

Little House and Snowy Greens

Every year as Christmas approaches, I work on at least one holiday painting. This year, one became four paintings as they were fun to create

The plan was to give the gallery a related grouping during the run up to Christmas.   Window boxes decorated for the holidays became the theme.   This idea came to me as I start thinking about how to decorate my own real window boxes.  The options are endless and I hope my real window box has as much color.

Red Ribbon Window Box

And speaking of color, the palette knife was useful for laying on the thick masses of cascading greens and flowers.  It was also good for creating rustic clapboards with a bit of scraping and multi-layering.

'Tis the Season!

Window Box Splash

Ornaments and Pink Ribbon

Sunflowers and Spindles

Sunflowers and Spindles

Midday sunlight pours into my front room from a south window, now that it's late fall.  The angle of the light is much lower and the rays were casting some very interesting shadows.   These warm red and yellow sunflowers were dazzling in the bright light. The wooden spindles of my staircase sat in the background with some petal shadows wrapping around them.   Some sunflowers were just starting to open, others open with curly, transluscent shapes.  It's alwaysa good day when you are painting flowers!