Showing posts with label farm. Show all posts
Showing posts with label farm. Show all posts

Thursday, October 3, 2019

Farmstand

Summer Farmstand
A local farm stand has been supplying me with some spectacular produce this year.   They provide the usual summer specialties: lettuce, corn, cucumbers, tomatoes, peppers and eggs.  I've been stopping there at least three times per week all summer.   The fruit (especially the peaches and plums) have been so good that I am lucky if my purchases make it to the destination without being eaten en route.  And never mind my plan to use this fine looking bounty for still life paintings!  

In this scene, Drew, the attendant is helping a customer pick out her treasures.  Their figures are mostly shaded, although there is rim light here and there.  Two other elements that I included were the red wheelbarrow full of corn (half sunny, half shady) and the A-frame street sign. I took liberty with the placement of these rearranged for the sake of balancing the painting.   
Alas, this week the mums and pumpkins made their appearance, which means the farmstand will be closing soon.   Oh, sweet summer, don't go!

Wednesday, July 31, 2019

Birthplace John Adams

John Adams Birthplace
I've painted the John Adams grand manor of "Peacefield" many times, so I thought it was time to check out our second president's earlier roots.  This small, antique, saltbox-colonial, Adams's birthplace, is also located in Quincy, MA on Franklin Street.   It was built in 1681 and purchased by Deacon John Adams, President John Adams’ father, in 1720.  We learned on a guided tour that it still stands in its original location, at that time, a 188 acre farm.

The 21st century noise and traffic on this street was a stark contrast to the bucolic setting I imagined when hearing the Guide's story of the property back in the colonial era. Well, the painting looks as rural as the original description of the Homestead, surrounded by trees, fieldstone walls and wild flowers.  This 11x14 inch painting will be on display at the Annual Quincy Art Festival Exhibit called "Best of Quincy."

Thursday, November 1, 2018

Homestead Ruins & Pasture - Isle of Doagh Ireland


McColgan Farmhouse
In the late 1800’s, two brothers and their respective families lived and worked two side-by-side farms on the Isle of Doagh, County Donegal, Ireland.    One brother’s name was John McColgan and the other’s name was Edward McColgan. 
    
John and his wife Grace had fourteen children.  They lived in the “larger” farmhouse which was also the house where the two brothers had been born and raised.    Edward and his wife Bridget acquired the land next to this original homestead and had eight children of their own.    In late 1898, Edward contracted consumption, a contagious disease that reached epidemic levels in Ireland and Britain at that time.   Today, the disease is known as tuberculosis.  Sadly, his wife Bridget soon contracted the disease as well.   They died within a month of each other in the winter of 1899.  

Four of their daughters and one son, ages 10, 14, 16, 19 and 21 were orphaned.   Their two oldest daughters had emigrated to Boston years earlier, when they had turned eighteen.   Their son Michael Joseph (my grandfather) had also emigrated one year earlier.
  
There was discussion of the siblings staying in Ireland under the supervision of their aunt and uncle next door, but with fourteen children of their own, John and Grace were likely unable to support five more.  Hence in 1900, the five siblings travelled together to Boston and settled in with their older siblings. The younger daughters moved in with their older sisters, each of whom were married at that point.  One daughter enrolled in nursing school at Massachusetts General Hospital.

As for the property owned by Edward and Bridget, it was sold to a cousin who continued to farm the fields but let the house fall to ruin.   The original farmhouse still stands and is in good condition.   In fact, it was getting a new thatched roof during our visit.   If you Watch The Video, it is the neat little white farmhouse with the red doors.

Donegal Homestead
Maybe you can imagine the feeling I had as I stood on the cart path just above the two homesteads, one farmhouse still standing and the other, barely recognizable ruins.  I had a tingly feeling to think that this was the land of my ancestors, where they lived, worked and died.  The sheep and cattle were probably of the same lineage through the years. Why, even the wild raspberries I sampled were probably the same as those eaten by the family.     Spirits of the past!   This visit and paint-out may have been the most gratifying of all.   I’m hoping the deep rich crimson darks and vivid green lights of the land shine through.

Wednesday, September 26, 2018

Hayfield Harvest at Dusk- Ireland

Hayfield Harvest at Dusk
It was late afternoon of the day we arrived in Kenmare, Ireland.  The plan was to paint the following day somewhere along our drive of the Beara Pennisula, so I decided to go to our vehicle and get ready.  As I was squeezing out fresh color onto the palette and organizing my gear I took a good look around.   I was surrounded by picturesque scenes in every direction.   There were lovely flower gardens, tall stone walls with an arched, embedded gate, and a water fountain.   These subjects were tempting but they were already mostly in shade and daylight was waning.  

A tractor had been noisily harvesting and baling the next property over, and with perfect timing, and maybe the luck of the Irish, he finished as the sun broke out.   It lit up the field, the green pastures and the mountains with almost magical golden light.  I broke out my easel and the result is this (very rapid) color study.  For me, speed means palette knife and very thick, bold paint application. 

It was a good thing this was toward the beginning of the trip given the amount of paint that was applied.   What a memorable experience and the color study will be useful in the future for a large studio painting.

Friday, September 14, 2018

Farmhouse Ruins - Donegal

Farmhouse Ruins - Donegal
These farmhouse ruins are adjacent to a new farmhouse on Fegart Road, Isle of Doagh, Donegal.   The September light illuminates the green grasses, and the colorful lichen on the crumbling stone walls.    The nothern-most tip of Ireland, Malin Head, is the mountain ridge in the distance.

Thursday, October 12, 2017

Weir Farm Slopeside Pair



At the Weir Farm in Hingham, MA annual Farm Day was coming up, and in the days prior to the event, painters were invited to set up on the premises and capture a scene.    The parking lot at the top of the hill has a beautiful view of the Boston skyline to the north and I did contemplate tackling that.  But I thought, why paint a city skyline when a bucolic hillside with Belted Galloways is just a 90 degree glance in the other direction?

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Saturday, January 14, 2017

Curious Sheep - Ireland

Sheep at the Stone Wall

While exploring the countryside in Ireland we did a lot of walking.    Green pastures were dotted with sheep and often they were standing alongside the stone walls that separated one field from the next.   Unlike the cows, which would walk toward us and even "say hello," the sheep would just stare quietly.   It was as if our very presence caused them to become frozen in place, and they wouldn't make a sound.

Sunday, January 8, 2017

Allihies Dairy Farmer II

Dairy Farmer - County Clare
This painting depicts a dairy farmer in the southwestern Ireland, specifically the Beara Penninsula, which is the furthest western landmass, a part of County Clare.  The distant hills were covered in a patchwork of shades of green and pink.   In this field, a large steel milk drum on wheels sat near an old gate.    As the farmer walked to it, the cows followed him, as if they expected a treat.   More likely, they knew it was milking time.

Sunday, November 6, 2016

Equestrian School

Equestrian School - Stage One
Late afternoon light poured across the sloping hillside just off of Livingston Street in Tewksbury, MA.   Good fortune that I had pulled into the driveway simply looking for a pretty autumn scene.   Getting to see the riders, instructors and beautiful horses put through their paces was thoroughly enjoyable.     Some riders had multiple instructors assisting.   The young lady depicted here led her auburn colored horse down the path to the riding ring off to the right undoubtedly an experienced rider.

Equestrian School
The pair were captured in paint as they passed in front of the brilliantly lit horse barn.   The barn door opening offering the strongest value contrast, perfect for balancing the center of interest.   This was a paint out to remember and if I am up in the area again, it's a location to be added to the painting locations list!

Wednesday, June 29, 2016

Farmers' Market Canandaigua

Farmers' Market Quick Paint Competition
Framing Quick Paint Entry
This was the seventh and final painting done at the Finger Lakes Competition and Festival.   It was a little different from the first six paintings in that this was a timed "quick paint" event.   Painters were given two hours to complete a plein air painting plus a half hour to frame and walk it over to the Town Common where it would be on display with the thirty other entries.

That morning, I still had not decided what and where to paint when I heard someone mention that the Farmers' Market takes place each Saturday morning.   After checking into the quick paint event I pulled into a parking space right next to where the farm vans loaded with produce were pulling in.   The rows of vegetable and flower flats near my van caught my eye.   There was a nice large bucket of tall peonies, a reminder of the peonies from day before.   Farmers Doug and Walt had backed their red van into their space and were working out of the back of it.

Once they realized what I was doing they occasionally came over to check progress.   I decided to include Doug who wore a yellow shirt that stood out despite being in full shadow.  Walt lamented that he wasn't in the painting so I explained about the yellow shirt.  He then proceeded to tell Doug that they should switch shirts.   Haha!

It turned out that the person who bought this painting knows Walt and Doug, and further, her grandfather was one of the first five farmers who started the Canandaigua farmers' market.   The painting is with the right person!

Friday, June 10, 2016

Chicken House

Hen House




A little crooked, but the chickens don't mind.  A wind swept farm scene done as a quick study.

Monday, May 23, 2016

Weir Farm Paint Out

Bug Stuck in Thick Paint

Weir Farm Paint Out - Stage One

Weir Farm in Hingham, MA boasts a countryside feel, ocean vistas and a breathtaking view of the Boston Skyline.   I loved this spot and took a nice walk to explore my options before getting into painting.  I saw a pair of hawks swooping around and being engaged by yet another smaller hawk.   Two baby calves were trotting around in the grass and playing together.    It was just gorgeous out there and it got brighter and sunnier as time went by.


I painted the cows right away, both because they were to be the center of interest, and because they happened to have arranged themselves in an nice abstraction of black and white spots.  They got up and moved several times during the course of my time there so I'm glad I captured them when I did. After painting the cows I started at the top of the canvas and worked from the sky on down, mostly using a palette knife.   The tops of the trees in the valley below the meadow had new spring growth with pale green and pink hues.  The colors got warmer and greener as they got closer to the foreground.
Weir Farm

I loved being at this beautiful spot and it probably is the primary reason the result was decent, especially the color match.  Early on, there was another good omen.   A bug landed in the freshly painted sky, a badge of honor to a plein air painter.

Translation, we were out there in the elements, and we - well, at least one of us - survived!

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Saturday, May 14, 2016

Rooster Comb Red


Rooster Comb Red
The Historic O'Neil Farm is the last remaining working dairy farm in Duxbury, Massachusetts.  The 145 acre property has been in continuous agricultural use since the early 1700s and is permanently protected as one of the oldest and last working farms on the South Shore of Massachusetts.

The trail alongside the farm was an easy one mile hike and at times it felt more like a rural trail in Pennsylvania than a seaside town in Massachusetts.

There were several scenes that I thought would make interesting paintings, cows in the fields, cows at the water trough, and cows in the woods.   Barn cats were lolling about in the sun and a group of turkeys pecked away at the front lawn of the old farmhouse.  I hope to return to the farm for an on site paint-out but meanwhile, this painting was created from a photo I took on this first visit.  The rooster in the photo paused at the entrance of the chicken house just prior to stepping out into the sunlight.  The rooster's red crest caught my eye because it looked nearly fluorescent against the darkness of the hen house.

I have more work to do on this one.  The wood looks too white, the rooster breast is too dark and I'd like to brighten up the red comb even more.   I'll post it to my website when it is done.

Thursday, January 7, 2016

First Snow of the Season

First Snow of the Season
This week an arctic blast finally pushed into New England.  The frigid temperatures, "warm" ocean water and wind whipping from the north resulted in several hours of "ocean effect" snow. Similar to summer fog, the ocean moisture blanketed the shore with swirling flakes while just a ten minute drive inland it was a bright, sunny sky.   This constituted the first measurable snow for the season - which got me thinking "snowscape."   I set up at the Daniel Webster Audubon in Green Harbor, planning to paint snow.   Most of the snow was in the shadowy areas, although the terrain sloping away from the sun was also snowy and sufficiently illuminated. Many areas had already melted or evaporated, but that was fine; just enough snow!

I painted this same scene a year ago without snow so it may look familiar.     As a wildlife refuge, it is pristine as can be, and as such there is always hope of seeing deer, fox, and hawks.   The most action I saw today was in the air, a red helicopter practicing landing and takeoffs.      

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Check out the scene in the following video (4:30 sec).    

https://youtu.be/95yx1hzkPwI

Saturday, September 19, 2015

Haymarket

Haymarket - In Progress
In New England, late summer and early fall is especially wonderful for those who enjoy the farmers' market.      At this point, the limited growing season is winding down, and the local markets are bursting with their bounty.   Everyone becomes a "foodie" seeing the exotic (and ordinary) fruits and vegetables in tall glorious piles.


Haymarket
Not only are the prices unbelievably cheap, but the variety is amazing at the location of this painting, Boston's Haymarket - an institution in Boston since 1820.    It really is the ultimate Farmers' Market.   "Eye candy" was the term that jumped to mind as I walked through the market, trying to drink in all this the "out of the tube" color.  



Monday, July 6, 2015

Revisiting PA - Cows at the Creek

Cows at the Creek
I really enjoyed my trip to Pennsylvania and remember thinking that I would try to do some paintings from my photos once I got back home.   When I reviewed the countryside photos I remembered just how radiant and unspoiled it was.    It was a novelty for me to see a stunning hillside farm beside a crystal clear stream;  the vibrancy of buttery oil color would be the way to best capture the memory of it.

I am no cow expert but did observe that once a cow decided it would make a move, others would follow and in this case the move I saw was a slow trek to the edge of the stream.   This was the same stream as was in my painting "Creek Zen" - only further on down the road.   Colorful kayaks were also passing through, somewhat contradicting the iconic farm scene but enjoyable to watch the cows and kayakers observing each other.

As for the painting, I began with an underpainting of a pasture, in other words, a previous painting done "en plein air."  This practice of using an old painting is not only economical and environmentally friendly, but often results in textural complexity and color that is interesting and unplanned.   The small patch of black and white cows were depicted with what amounted to warm white dots, shadowy white dots, and dark patches for their coats, and no one cow painted in its totality.  I would love to walk that area again!


Wednesday, June 17, 2015

Myles Standish Homestead View

Miles Standish Historical Marker
I stumbled onto this piece of history as I looked for a beachy type spot to paint.  The location of this paint out was on the southern tip of a peninsula in Duxbury, MA where Plymouth Colony Military Leader, Myles Standish lived until his death in 1656.    The historical farmland is preserved as a small park and has a fantastic view of Kingston Bay and Clarks Island.   We are so fortunate to live in an area rich in history, and not to mention its diverse beauty.

It was windy when I started this painting and it got even windier as I painted.   It was so gusty that I placed my palette on the ground instead of risking it tipping over with the easel.  The sun gave way to clouds eventually and since the conditions were changing dramatically, it was essential that the painting get "locked in" to the original concept, rather than "chasing" the current circumstances.


Miles Standish Homestead View
The tide was dead low and the sand bars were visible through the shallow waters.   Directly below my spot, bordering the shoreline, there were a number of tidal pools filled with water and surrounded by seagrasses.    At the edge of the bluff right in front of me, there were various bushes and vines growing (and blowing) wildly.   This painting was a good exercise in creating greens in a cool light situation.    As you'll see, I introduced a bit of warmth in the foreground vegetation to help the depth.  The final element added was the old dock, essentially in ruins, making me wonder just how old those pilings were - also who built it and when - given that this was such a historic spot!


Tuesday, May 19, 2015

Chicken University

Chicken House Stage One
Little did I know when I set up to paint toward the back of a property near Bluefish Cove that the "shed" I was painting was actually an elaborate chicken house, or as the owner called it, "Chicken University."

Chicken House Stage Two
As I painted I could hear chickens and still didn't know they were in and just beyond the white garden structure I was putting into my scene.   It wasn't until I saw the owner walk to the double doors and say "hello girls" that I made the connection.   I was looking uphill so the sky was nice and blue and the light on the grass was just catching the tips of the blades from where I was standing.  From my angle there were no visible chickens.  The white chicken house had no light on the walls (so they were painted a dark bluish gray), but the roof had some dappled light.  A border of tulips stood out brightly against the dark shaded backdrop.

After completing the painting, I made a visit to the property to buy eggs and the owner was nice enough to let me see the 32 chicken operation.   Fascinating to me - having never lived on or near a farm.  The photo shows the inside of the chicken house with its roosting compartments - like a chest of draws.   These are some pampered chickens, each one with a name by the way.   Oh, and the eggs were outstanding!

Chicken House Stage Three


Inside Chicken University

Tuesday, May 12, 2015

Horse Barn Harrison St Duxbury

Stage One
Last year I noticed a beautiful farm on Harrison Street in Duxbury where two horses were enjoying a large grassy area that was located just below an old farmhouse and barn.   On this day I set up hoping that the horses would appear at some point (they never did - unfortunately).  

It is the first week of May and there is no green brighter than the initial buds and blades this time of year.  In fact it was so green that I hesitated to paint it as (fluorescent) green as it was;  it would not even seem quite right -I think. 


Stage Two
Another thing I did today was to time myself (executing a typical 9x12 painting) in preparation for the "quick draw" competition I'll be doing in a couple of weeks.  I seldom think about time when I paint; in fact everything drops away while in the trance. :)


Stage Three
For the quick draw I'll have 120 minutes to paint and frame my painting.  This painting took between 90 and 100 minutes to get it to a presentable point.




Here are the times in case anyone is interested:

Unload gear and set up easel:                                         4 Min
Line sketch:                                                                  10 Min
Refine Drawing (paper towel wipe out                              11 Min
First layer  (cover sky, treeline, barn, foreground)            42 Min
Second Layer (thick lights, middle tree, grassy brushwork)  26 Min

The total time then was 92 minutes.  That leaves 28 minutes for framing so I am more comfortable than I was!   I spent another ten minutes on it in the studio.

Horse Barn Harrison St Duxubury








Monday, February 23, 2015

Snowy Farm - West Bridgewater

Snowy Farm
Along River Street in West Bridgewater, MA there are lots of old dairy farms, many of which are still actively operating.   We were walking through the area because it was a portion of the Bay Circuit Trail.   (We are attempting to walk the entire 200 mile trail - ongoing for 12 years now and counting).   I loved this section of the trail for its old fashioned, Americana feel.   I was snapping photos in every direction.  A rambling farm complex complete with red oxide stained exteriors is the subject for this painting.  With my world currently covered with snow, my live snow reference (everywhere I look) made applying a thick coating for this farm a matter of color matching out the window.                    BUY NOW