Floral at the Fair

Oil Paint

 

 

 

These paintings were done at the 2021 Marshfield Fair.   At noon, twelve floral designers set out to create a ribbon winning design.  At 2PM twelve painters were assigned an arrangement to capture in paint.

 

 

It was a fun experience and so interesting to see how different painters approached their floral creation.   The floral designers seemed to basically have the same flowers, so to me, the color schemes of each were so very similar.   But as you see,the painters' works were vastly different!

Acrylic

Watercolor

Flower Vendor - Dublin

Flower Vendor - Dublin

In the heart of Dublin, Ireland, an expansive grid of narrow streets was crowded with people. Sightseers often stopped in their tracks to take it all in.  People with a purpose and a destination weaved in and around them.  We were part of the former group, browsing through block after block of vendors, cafes and pubs.   On this street, traffic was limited to business related deliveries so it was fun to wander around and take in the colorful sights and sounds. 



In this scene a young woman selling flower bouquets remained watchful as a couple of women scope out the floral sprays.   I thought from the minute I saw it that this would make an interesting painting scene.  By design, each element of the painting is prioritized by how realistic it is painted.  The center of interest is the proprietor, and is the most realistically painted.   Next were the black buckets on the brick roadway, then the flower bouquets, and lastly the two figures on the left.

Cavern in the Japanese Garden - Revisited

Cavern at Japanese Garden

This painting was begun in Canandaigua, New York, and it never quite grabbed me.   It was a gray, overcast day, and true to plein air, it was an accurate representation of the bleak feel.  I put it back on the easel and took a look at the pictures from that original day.   Fortunately, I found a sunny shot of the same scene.   There was significantly more yellow and deep red undertones.   Within an hour, the gray day was transformed into a sunny June day.   The waterfall was now visible pouring over the cavern boulders.    I believe the gloom is gone, replaced with a scene that is almost sparkly.

Haymarket II

Haymarket II

I always liked the painting I did a while back of the vendor area at Boston's Haymarket, which is just east of Fanueil Hall Marketplace in Boston, MA.   I liked it so much that I decided to paint a new version of it.
On market day, the street is transformed into a festive collection of tents and awnings under which dozens of vendors sell their colorful produce and more.   In this scene the orderly chaos was brightly lit from one end so I played up the directional light in warm tones, contrasting that with deep blue shadows.  This painting would make a nice momento for anyone who has fond memories of trips to Haymarket.

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Peonies at Sonnenberg

Peonies at Sonnenberg

Painting Six of the Finger Lakes Plein Air Competition was an afternoon experience with a 12x24 inch canvas panel.    I chose a long white arbor that divided the formal gardens and a fifty foot peony border at beautiful Sonnenberg Mansion and Gardens.  The dimensions of the canvas seemed just right.   Peony blooms are short lived, yet they happened to be peaking on this glorious June day.   The mild scent of the hundreds of pink and white blossoms occasionally drifted my way, an extra bonus beyond the beautiful visual.  A large painting at this point in the competition was a self-assigned stretch assignment.   If it turned out well, it would look nice in the pale silvery frame I had planned to use.

Peonies at Sonnenberg

This was the last day to paint for the main competition, and I would be turning in the best three paintings this evening.  I decided that this painting would be one of the three to be submitted for judging.   And although it wasn't selected for an award, I was satisfied that it was good and that I stayed true to how I paint.    Under time constraints a person's true signature style is probably more pronounced!

Seager Marine

Seager Marine - Stage One

There is no denying that I am a morning person.   I think my stamina is good all day, in that I can work/play/paint for long durations, but it seems that my results in the first four hours of the day are better.   I should use this self knowledge more wisely I guess!

Seager Marine - Stage Two

I set up along Town Pier Road at the northernmost tip of Lake Canandaigua.    This was Painting Five at the Finger Lakes Plein Air Competition and Festival.   Being along the water with a marina to my right and docks all around put me squarely in my comfort zone - and it was a sunny dazzling morning.

Seager Marine - Canandaigua

There were some small buildings that were illuminated by the morning sun, which in turn were beautifully reflected in the water.   Many boats at various angles complicated the scene, but I ignored everything except for the sunlit canopies and a few chrome railings.   These painted shapes and colors also got dragged down into the reflections.    At just the right moment a fellow entered the scene with a gas can.   He walked to the gas pump and began filling.    This is the challenge of plein air!   He would be there for - maybe -four minutes.   It was just enough time to capture the essence of his posture leaning over to pump gas.


This one was my favorite painting of the whole week.    I was delighted to learn that it was sold to a local woman and art lover who would be giving it to her husband for Fathers' Day.

Midday at Granger

Midday at Granger - In Progress

This was Painting Four of the Finger Lakes Plein Air Competition and the second painting of the day. Painters were invited to the historic Granger Homestead and Carriage Museum to capture scenes that the "Friends of the Museum" may like to own.   The sun was already high in the sky by the time I got started on this painting.   A woman in 19th century garb was posing in an antique carriage and several painters worked on the scene from various angles.

The museum hosted a nice reception that night and several paintings were sold (including mine).

Heron at the Pond

Painting Three for the Finger Lake Plein Air Competition and Festival was done at Lagoon Park, a

Heron on the Pond - Getting Started

What Are You Painting?

pretty recreational area adjacent to Canandaigua Lake.  It was sunny, which was a relief after yesterday's cold and moist paint out.  The waterways and walking paths snaked in and out of the lagoon.   I chose an area that had lots of green underbrush and a relatively calm stretch of water.   I liked the reflections of tree trunks that were bent over almost touching the water.   The warm shadows looked nice against the various shades of green.  

Heron at the Pond

Although this was a beautiful spot, it needed a little something more.   Once this great blue heron started moving around the lagoon area, I decided to make it the center of interest.   I placed him in what I thought was the painting's sweet spot for the final com-positional element.

Cavern at Japanese Garden

Cavern at Japanese Garden - Stage One

This was the second day of painting at the Finger Lakes Plein Air Competition and Festival.   One of the main supporters of the event is the Sonnenberg Mansion and Gardens.   Juried painters were given admission passes for the week so that we could paint on the property.   This was plein air heaven! There was no searching for an appealing scene; they were everywhere.   We walked the entire property first, and I found myself declaring on multiple occasions that this was the spot, only to find the next area even more enticing.

Cavern at Japanese Garden - Nearly Done

Unfortunately it quickly clouded over and the end product reflected the day, and didn't result in a painting that I liked.   In packing for the trip to New York, I almost removed my long down parka from the van, feeling so sure I would not need it, but elected to leave it behind my seat.  So glad I did!   It saved me from the damp wind and mist. Furthermore my knit stretchy gloves were in the pocket, also put to use.

I can't resist rocks and a full value spectrum, both of which were present in the Japanese Garden.  I stood along a pathway below the main thoroughfare.   There were twin caverns built from boulders where water trickled down into a green mossy pond.   It would have been relaxing if the paint-out was going well.  :)  But being down in this low spot also sheltered me and my set up from the harsh wind.

Cavern at Japanese Garden

Spring greenery was everywhere, just not as bright and illuminated as I had hoped.    Ironically, this painting took the longest to execute, nearly four hours (two hours longer than usual), and yet it was my least favorite.   Two paintings down, four to go!

Lake Canandaigua from Onanda Sky

Eager to Get Started

This was the first painting done for the Finger Lake Plein Air Competition and Festival in Canandaigua, New York.   My blank canvases had just been stamped, meaning that coordinators mark the back, a verification that no work had been done ahead of time.  Next stop? Painting location number one.

The organizers had provided a list of scenic spots from which to paint, and we decided to start at the furthest point, the southernmost tip of Lake Canandaigua in the town of Naples.   It proved to be a great place and the property owner generously shared not only this fantastic vista but use of her home while we painted.   The twelve acre parcel was situated high above the west side of the lake.   It had a couple of barns, a pond. flower beds and of course, the amazing view looking north along the lake.  

Onanda Sky - Stage One

I began with the most distant lake shore and sky.   I locked them in while they were pale blue, pink and naples yellow.    The blue hillsides dipped down to the water, a distant gray-blue hue.   At certain spectacular moments, the hills were illuminated with stripes of sunlight turning them golden green.  Dark trees and shrubs anchored the scene across the middle third of the painting.   The foreground grasses were warm and sunny yellow - that is - when the sun peaked out.  The stark white canvas did prove to be a bit of a challenge, since I inadvertently scraped the paint down to the white with my palette knife.   It necessitated being even thicker with the paint, which, in retrospect, probably gave a better result.

Onanda Sky View - Stage Two

The weather?  Very variable - rain, mist, sun, overcast, and most of all windy.   We pushed through the process, mine taking a bit of extra time since this was a larger canvas at 12" x 24".   The final steps were to make sure all the bare white canvas spots were painted and to ensure that the lighting scheme was consistent.  One down, six to go!

Festive Quincy Market

Lobster Bake

A day trip or weekend in Boston wouldn't be complete without a stroll through Quincy Market.    It is colorful and festive in every season but especially when the weather is warm and sunny.   There is truly something for everyone, especially if you are hungry!

The Quincy Market could provide years of subject matter for a painter and I've taken photos of these displays with the intention of creating paintings from them.   I haven't yet painted en plein air for various reasons, not the least of which is accessibility (by car with gear).



Cherry Cordials

Usually, food is the focus.  :)  If we plan on eating at the market, we make one pass down the center aisle to remind ourselves of what sweet and savory goodies are available.   Chowder, oysters, Greek, Italian, Indian (and of course cases and cases of pastries and confections) are a few of the categories.

On this day we selected our culinary delights and carried them outside to search for a bench.   People watching here is legendary, colorful whirlwind of folks young and old.   A balloon artist sat in the middle of the action to the fascination of plenty little people who were mesmerized with his creations.

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Festive Quincy Market

Market Square

A few months ago, I put a sharp corner of a framed painting through the middle of a large (30 x 48 inch) in-progress painting.   I may have shared that sad story back when it happened?   I pulled the ripped canvas off the stretcher bars, sized up a nice new length of gesso'd linen, and stretched it again.   I toned it with a mid-value neutral color.  That was several months ago - and there it sat.    The weather was nice as a plein air painter, I enjoyed plenty of beautiful days outside.


Market Street - Stage One


As soon as the temperatures started to cool I turned my attention to the studio.  I placed the BIG blank canvas on it.   I wanted to start planning out this large studio work.  I had the urge to include every attractive element I had been painting or photographing in the past few months. 



Market Street - Stage Two

What would that include?   Rustic buildings, stone walls, Irish farmhouses, festivals full of color, sunlit boats with pretty reflections, seals sunning themselves, bees buzzing around my pink and yellow zinnias, fireworks, city skyline.  Very exciting! This was the brainstorming phase of composing the piece.   I guess I could have jammed in all the attractive elements I had been envisioning, turning it into a fantasy painting, but realistically I needed to decide on a theme.

I did some sketching and printed a few of my favorite festival and marketplace photos, assembling a horizontal collage of scenes that were attractive to me.   I worked on building up a dark and light pattern that was appealing.    I wanted a "random - but planned" series of "lightest lights."    

Even as early as Stage One image above, the abstract dark and light pattern is visible.   The warm afternoon light highlights the old village buildings and market umbrellas.  The light spilled over onto the street, giving the illusion of a bright glare.   The stone archway on the left framed the bright light of the next alley over.   The shadows would be cool and blue, but not too dark.   Generally, even the shadow areas of a cityscape with bright warm light benefits from the reflected light.   The light tends to bounce around and provide ambient light even to the shadow areas.   (Photographs do not record this reflected light by the way - that's why "from life" painting is so much better!) The color temperature scheme (warm light and cool shadow) and the shadow directional scheme (late afternoon backlighting)  would be important supporting information.

Sunlight String

This painting has been on and off the easel for four months so there were several stages of progress.   I won't share them all but one thing I did was to use a sun string to guide the direction of my sunlight.   I attached a long piece of wood so that it pointed high up above the large canvas.  I tacked a long piece of string to the top of the wood.    As I painted the lighted areas, I stretched the string tight and that showed the angle of the rays of light coming from my "pseudo sun" at the top of the wood.   I wish I took a better photo but in the narrow photo, the wood and the string are somewhat visible.   This method would be useful if you aren't painting on site, or if you were on site but the light changed dramatically before packing up.



Market Square

I guess I like the anonymity of the figures.   I also love the idea of supporting the growers, buying their fresh products and turning that into a culinary comfort for their family. So where is market square, who are these people and why two thoroughfares?